Rector “Wreck ’em” Sherman was orphaned as a toddler in the Blight of 1863, but that was years ago. Wreck has grown up, and on his eighteenth birthday, he’ll be cast out out of the orphanage. And Wreck’s problems aren’t merely about finding a home. He’s been quietly breaking the cardinal rule of any good drug dealer and dipping into his own supply of the sap he sells. He’s also pretty sure he’s being haunted by the ghost of a kid he used to know—Zeke Wilkes, who almost certainly died six months ago. Zeke would have every reason to pester Wreck, since Wreck got him inside the walled city of Seattle in the first place, and that was probably what killed him. Maybe it’s only a guilty conscience, but Wreck can’t take it anymore, so he sneaks over the wall. The walled-off wasteland of Seattle is every bit as bad as he’d heard, chock-full of the hungry undead and utterly choked by the poisonous, inescapable yellow gas. And then there's the monster. Rector's pretty certain that whatever attacked him was not at all human—and not a rotter, either. Arms far too long. Posture all strange. Eyes all wild and faintly glowing gold and known to the locals as simply “The Inexplicables.” In the process of tracking down these creatures, Rector comes across another incursion through the wall -- just as bizarre but entirely attributable to human greed. It seems some outsiders have decided there’s gold to be found in the city and they’re willing to do whatever it takes to get a piece of the pie unless Rector and his posse have anything to do with it.

Down by the river, the first to go missing were not much lamented. Disappearances of homeless men foraging through trash or nuisance skater kids who rolled their boards along the planked piers at night were not noteworthy enough to delay the city’s development projects.  But deep beneath the riverbank, the evidence of a terrible crime has been covered up twice. When a TVA dam falters and the river swells, panic rises downtown. As the Tennessee creeps over its banks, it dredges up death from its own polluted bed. Twenty-nine victims of a long-ago slaughter walk when the water rises, patrolling the banks and dragging the living down to a muddy grave. No one remembers how they died and no one knows what they want.  Some secrets are never washed away. Instead they are patient, biding their time. They wait for the water to lift them so they can prowl for the justice that was denied them ninety years ago. But in ninety years a city’s shape changes, and where justice can no longer be found, vengeance may have to suffice.  The city of Chattanooga is about to learn a terrible truth about the things a river can and cannot hide…. And reluctant medium Eden Moore may be the only one who can dissuade the twenty- nine bodies from adding hundreds of its citizens to their ghastly ranks.  Not Flesh Nor Feathers is a stand-alone sequel to Four and Twenty Blackbirds and Wings to the Kingdom.

The fields at Chickamauga, Georgia--America's oldest national military park--claimed 35,000 casualties during the Civil War. Any good guide will tell you that the grounds are haunted. The battlefield even has its own resident haunt, called Old Green Eyes for his tell-tale luminous gaze. It has long been said that Old Green Eyes intends no harm to those who respect the park. He is no menace, but a guardian of the dead. While he walks, the dead may sleep secure in the knowledge that their rest will be undisturbed. While Old Green Eyes patrols the battlefield, there is nothing to fear, for graves are not robbed and bones are not moved.But suddenly a different phenomenon starts puzzling and frightening visitors, causing tours to be canceled and rangers to quit their jobs. These new ghosts are no illusions carved out of the low-rolling fog. One by one, the solemn-faced spirits in ragged uniforms show themselves, and one by one, they point a determined arm off into the distance. Why do the soldiers march again, and what has become of their unblinking custodian? The spirits need a go-between, someone who can speak to them, and for them.Eden Moore is not interested.But the ghosts aren't taking no for an answer.

Young ex-slave Gideon Bardsley is a brilliant inventor, but the job is less glamorous than one might think, especially since the assassination attempts started. Worse yet, they\'re trying to destroy his greatest achievement: a calculating engine called Fiddlehead, which provides undeniable proof of something awful enough to destroy the world. Both man and machine are at risk from forces conspiring to keep the Civil War going and the money flowing.Bardsley has no choice but to ask his patron, former president Abraham Lincoln, for help. Lincoln retired from leading the country after an attempt on his life, but is quite interested in Bardsley\'s immense data-processing capacities, confident that if people have the facts, they\'ll see reason and urge the government to end the war. Lincoln must keep Bardsley safe until he can finish his research, so he calls on his old private security staff to protect Gideon and his data.Maria "Belle" Boyd was a retired Confederate spy, until she got a life-changing job offer from the Pinkerton Detective Agency. Pinkerton respects her work, despite reservations about her lingering Southern loyalties. But it\'s precisely those loyalties that let her go into Confederate territory to figure out who might be targeting Bardsley. Maria is a good detective, but with spies from both camps gunning for her, can even the notorious Belle Boyd hold the greedy warhawks at bay?Another rollicking alternate history from Cherie Priest―Fiddlehead is the fifth book in the Clockwork Century steampunk series that started with Boneshaker.

In the trenches of Europe during the Great War, Tomas Cordero operated a weapon more devastating than any gun: a flame projector that doused the enemy in liquid fire. Having left the battlefield a shattered man, he comes home to find yet more tragedy for in his absence, his wife has died of the flu. Haunted by memories of the woman he loved and the atrocities he perpetrated, Tomas dreams of fire and finds himself setting match to flame when awake. . . . Alice Dartle is a talented clairvoyant living among others who share her gifts in the community of Cassadaga, Florida. She too dreams of fire, knowing her nightmares are connected to the shell-shocked war veteran and widower. And she believes she can bring peace to him and his wife s spirit. But the inferno that threatens to consume Tomas and Alice was set ablaze centuries ago by someone whose hatred transcended death itself. . . .

Heaster Wharton is dead, and his passing might mean an end to hostilities between the Manders and the Coys. If the the elderly patriarch showed the kindness and foresight to split his land cleanly between his feuding descendants, then a truce could be arranged. But his final request is a strange one, delivered across the country to the straggling remnants of his tribe. Representatives from both families must visit a cave at the edge of his property in the hills of Kentucky. There, he promised, they would find his last will and testament. But there's more than paperwork waiting underground, as vindictive old Heaster was well aware. In 1775, Daniel Boone and a band of axe-wielding frontiersmen struggled to clear a path through the Cumberland Gap into the heart of Bluegrass country, and they did not work unopposed. Hounded and harried by an astonishing monster, the axe-men overcame the beast by sheer numbers and steel. They threw its body into a nearby cave. It was not dead. And now, it is not alone. Crippled and outraged, for 100 years something terrible has huddled underground, dreaming of meat and revenge. But its newest callers are heavily armed, skeptical of their instructions, and predisposed to violence. With their guns and their savage instincts, Heaster's grandchildren will not make for easy pickings.

Inconsistent psychic Leda Foley and Seattle detective Grady Merritt return to solve the case of a missing couple in this sequel to the "delightful" (The New York Times Book Review) mystery Grave Reservations.When psychic travel agent Leda Foley is approached by a man searching for his sister, she quickly agrees to help. The missing woman disappeared with a vintage orange car, a fat sack of her employer's cash, and a grudge against her philandering husband—a man who never even reported her missing. Meanwhile, Seattle PD detective Grady Merritt has temporarily misplaced his dog. While he's passing out bright pink "Lost" flyers at the Mount Rainier visitor's center, the wayward pooch appears—with a human leg in his mouth. Thanks to DNA matching, Grady learns that the leg has something to do with Leda's new client, and soon the two cases are tangled. Theories abound, but law enforcement is low on leads. Lucky for...

George R. R. Martin's Wild Cards multi-author shared-world universe has been thrilling readers for over 25 years. Now, in addition to overseeing the ongoing publication of new Wild Cards books (like 2011's Fort Freak), Martin is also commissioning and editing new Wild Cards stories for publication on Tor.com. In Cherie Priest's "The Button Man and the Murder Tree," it's Chicago in 1971, and Raul is a button man — a professional ender of lives that the Mob needs ended. But something's odd about his most recent assignments. And then there are those mushrooms growing out of his skin...At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

Denise Farber has just moved back to New Orleans with her mom and step-dad. They left years ago after Hurricane Katrina and are back now, wagering the last of their family's money on fixing up an old, run-down house and converting it to a bed and breakfast. When the unexplained noises start, that seems a little weird. Same too for the fact that nothing seems to work around the house...even when it should. But when floors start collapsing suddenly and deadly objects fall everywhere—and voices start speaking to Denise—she knows that something more sinister lies hidden.Could the answers lie in an old comic book that Denise finds in the abandoned attic...the lost last work of a famous artist who apparently lived here? Denise isn't going anywhere, so she must unravel the mystery, on the pages and off them, if she and her family are to survive...

The Cthulhu Mythos is one of the 20th century's most singularly recognizable literary creations. Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales. From weird fiction masters to enigmatic rising stars, The Book of Cthulhu demonstrates how Mythos fiction has been a major cultural meme throughout the 20th century, and how this type of story is still salient, and terribly powerful today.