Frodo Baggins knew the Ringwraiths were searching for him - and the Ring of Power he bore that would enable Sauron to destroy all that was good in Middle-earth. Now it was up to Frodo and his faithful servant Sam to carry the Ring to where it could be detroyed - in the very center of Sauron\'s dark kingdom.

The timeless classic presented in the standard hardcover edition using the author's original jacket design. J. R. R. Tolkien's own description for the original edition: "If you care for journeys there and back, out of the comfortable Western world, over the edge of the Wild, and home again, and can take an interest in a humble hero (blessed with a little wisdom and a little courage and considerable good luck), here is a record of such a journey and such a traveler. The period is the ancient time between the age of Faerie and the dominion of men, when the famous forest of Mirkwood was still standing, and the mountains were full of danger. In following the path of this humble adventurer, you will learn by the way (as he did) -- if you do not already know all about these things -- much about trolls, goblins, dwarves, and elves, and get some glimpses into the history and politics of a neglected but important period.

The second volume in J.R.R. Tolkien\'s epic adventure THE LORD OF THE RINGS One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them Frodo and his Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in a battle in the Mines of Moria. And Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape, the rest of the company was attacked by Orcs. Now they continue the journey alone down the great River Anduin-alone, that is, save for the mysterious creeping figure that follows wherever they go. "Among the greatest works of imaginative fiction of the twentieth century. The book presents us with the richest profusion of new lands and creatures, from the beauty of Lothlórien to the horror of Mordor." - Sunday Telegraph

The third volume in J.R.R. Tolkien\'s epic adventure THE LORD OF THE RINGS  One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them As the Shadow of Mordor grows across the land, the Companions of the Ring have become involved in separate adventures. Aragorn, revealed as the hidden heir of the ancient Kings of the West, has joined with the Riders of Rohan against the forces of Isengard, and takes part in the desperate victory of the Hornburg. Merry and Pippin, captured by Orcs, escape into Fangorn Forest and there encounter the Ents. Gandalf has miraculously returned and defeated the evil wizard, Saruman. Sam has left his master for dead after a battle with the giant spider, Shelob; but Frodo is still alive—now in the foul hands of the Orcs. And all the while the armies of the Dark Lord are massing as the One Ring draws ever nearer to the Cracks of Doom.  “A triumphant close . . . a grand piece of work, grand in both conception and execution. An astonishing imaginative tour de force.” – Daily Telegraph Includes the complete appendices and index for The Lord of the Ringstrilogy.

The Book of Lost Tales 2 (The History of Middle-Earth, Vol. 2) viii, 391 pp. "The Book of Lost Tales was the first major work of imagination by J.R.R. Tolkien, begun in 1916, when he was twenty-five years old, and left incomplete several years later. It stands at the beginning of the entire conception of Middle-earth and Valinor, for the Lost Tales were the first form of the myths and legends that came to be called The Silmarillion. Embedded in English legend and association, they are set in the narrative frame of the great westward voyage of a mariner named Eriel (or AElfwine). His destination is Tol Eressea, the Lonely Isle where Elves dwell; from them he learns their true history, the Lost Tales of Elfinesse. The Tales include the earliest accounts of Gods and Elves, Dwarves, Balrogs, and Orcs; of the Silmarils and the Two Trees of Valinor; of Nargothrond and Gondolin; of the geography and cosmography of their invented world. The Book of Lost Tales is published in two volumes. The first contains the Tales of Valinor; and this second past includes Beren and Luthien, Turin and the Dragon, and the only full narratives of the Necklace of the Dwarves and the Fall of Gondolin. Each tale is followed by a commentary, together with associated poems, and each volume contains extensive information on names and vocabulary of the earliest Elvish languages. Additional books in this series will extend the history of Middle-earth as it was refined and enlarged in later years and will include the long Lays of Beleriand, the Ambarkanta or Shape of the World, the Lhammas or Account of Tongues, annals, maps, and many other previously unpublished writings of J.R.R. Tolkien."Keywords: FANTASY SCIENCE FICTION HISTORY MIDDLE EARTH JRR TOLKIEN BOOK OF LOST TALES

The Book of Lost Tales 1 stands at the beginning of the entire conception of Middle-earth and Valinor. Embedded in English legend and English association, they were set in the narratve frame of a great westward voyage over the Ocean by a mariner named Eriol (or Ælfwine) to Tol Eressëa, the Lonely Isle, where Elves dwelt; from them he learned their true story, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts and original ideas of Gods and Elves; Dwarves and Orcs; the Silmarils and the Two Trees of Valinor; Nargothrond and Gondolin; and the geography and cosmology of the invented world.

The definitive collection of J.R.R. Tolkien’s five acclaimed modern classic ‘fairie’ tales in the vein of The Hobbit. Enchanted by a sand-sorcerer, the toy dog Roverandom explores a world filled with strange and fabulous creatures; the fat and unheroic Farmer Giles of Ham is called upon to do battle with the dragon Chrysophylax; Hobbits, princesses, dwarves and trolls partake in the adventures of Tom Bombadil; Smith of Wootton Major journeys to the land of Faery via the magical ingredients of a giant cake; and Niggle the painter sets out to paint the perfect tree.

by J. R. R. Tolkien, Christopher Tolkien (Editor), Ted Nasmith (Illustrator) Designed to take fans of The Hobbit and The Lord of the Rings deeper into the myths and legends of Middle-Earth, The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. This pivotal work features the revised, corrected text and includes, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-Earth.

Tales from the Perlious Realm is the definitive collection of J.R.R. Tolkien's acclaimed shorter works of fantasy and adventure. Roverandom is a toy dog who, enchanted by a sand sorcerer, gets to explore the world and encounter strange and fabulous creatures. Farmer Giles of Ham is fat and unheroic, but - having unwittingly managed to scare off a short-sighted giant - is called upon to do battle when the dragon Chrysophylax comes to town. The Adventures of Tom Bombadil tells in verse of Tom's many adventures with hobbits, princesses, dwarves and trolls. Smith of Wootton Major journeys to the Land of Faery thanks to the magical ingredients of the Great Cake of the Feast of Good Children. Leaf by Niggle recounts the strange adventures of the painter Niggle, who sets out to paint the perfect tree. Illustrated throughout by renowned artist Alan Lee, who also provides an Afterword, this collection includes an introduction by Tolkien scholar and writer Tom Shippey and, as an appendix, the essay, "On Fairy-stories", which offers a beguiling insight into the imagination of J.R.R. Tolkien. These five tales are written with the same skill, quality and hallmarks that made The Hobbit a beloved classic. Often overlooked, the short works are now brought together in a volume which reaffirms Tolkien's status as a master storyteller for readers of all ages.

by J. R. R. Tolkien, Christopher Tolkien (Editor) This second part of THE BOOK OF LOST TALES includes the tale of Beneren and Luthien, Turin and the Dragon, Necklace of the Dwarves, and the Fall of Gondolin. Each tale is followed by a commentary in the form of a short essay, together with the texts of associated poems, as well as information on names and vocabulary in the earliest Elvish languages.

Wayne G. Hammond (Editor) A classic children's story by the author of The Hobbit Rover should never have bitten the wizard's trousers. His punishment was to be transformed into a toy, and now he is forced to track down the magician so he can be returned to normal. His adventures will take him to the moon and under the sea, introducing him to many fabulous - and dangerous - creatures. Inspired by the loss of his own child's favourite toy, this charming tale was written by J. R. R. Tolkien long before The Hobbit, yet remained unpublished for more than 70 years. This new paperback edition includes a full introduction and detailed notes about the story. This is an old-fashioned story, yet it still speaks freshly today. . . would leap to life when read aloud to a child. - INDEPENDENT Lord of the Rings buffs will enjoy picking out bits of Nordic mythology and will relish Tolkien's fabulous sense of landscape - THE TIMES Cover illustration by J. R. R. Tolkien

Wayne G. Hammond (Editor) The editors of the best-selling rediscovered Tolkien novel Roverandom present an expanded fiftieth anniversary edition of Tolkien's beloved classic Farmer Giles of Ham, complete with a map, the original story outline, the original first-edition illustrations by Pauline Baynes, and the author's notes for an unpublished sequel. Farmer Giles of Ham is a light-hearted satire for readers of all ages that tells the tale of a reluctant hero who must save his village from a dragon. It is a small gem of a tale that grows more delightful with each rereading.

Tales from the Perlious Realm is the definitive collection of J.R.R. Tolkien's acclaimed shorter works of fantasy and adventure. Roverandom is a toy dog who, enchanted by a sand sorcerer, gets to explore the world and encounter strange and fabulous creatures. Farmer Giles of Ham is fat and unheroic, but - having unwittingly managed to scare off a short-sighted giant - is called upon to do battle when the dragon Chrysophylax comes to town. The Adventures of Tom Bombadil tells in verse of Tom's many adventures with hobbits, princesses, dwarves and trolls. Smith of Wootton Major journeys to the Land of Faery thanks to the magical ingredients of the Great Cake of the Feast of Good Children. Leaf by Niggle recounts the strange adventures of the painter Niggle, who sets out to paint the perfect tree. Illustrated throughout by renowned artist Alan Lee, who also provides an Afterword, this collection includes an introduction by Tolkien scholar and writer Tom Shippey and, as an appendix, the essay, "On Fairy-stories", which offers a beguiling insight into the imagination of J.R.R. Tolkien. These five tales are written with the same skill, quality and hallmarks that made The Hobbit a beloved classic. Often overlooked, the short works are now brought together in a volume which reaffirms Tolkien's status as a master storyteller for readers of all ages.

THE HISTORY OF MIDDLE-EARTH Poems and prose, maps and chronologies, detours and diversions along the road to Middle-earth . . . Christopher Tolkien has gathered archival materials that his late father, J. R. R. Tolkien, used to create the world and the history behind his classic stories. THE EVOLUTION OF A WORLD This fourth volume of The History of Middle-earth presents early versions of those first tales, from the creation myth to the fall of Morgoth. Writings include a chronology of the events in Beleriand, the first Silmarillion map, and the only known description of the physical nature of Middle-earth's universe. Detailed annotations highlight changes ranging from the spelling of Elvish names to pivotal emendations whose effects reach even to the war of the ring. The Shaping of Middle-earth presents a solid framework by which to trace the development of the early lore of Middle-earth. It is a truly indispensable reference work for those familiar with the history of that endlessly beloved land--and fascinating reading for those just entering that world.

The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book. From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot. But...

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour. Sir Gawain and the Green Knight and Pearl are two poems by an unknown author written in about 1400. Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values. Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters. Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's. The three translations represent the complete rhyme and alliterative schemes of the originals.

EDITORIAL REVIEW: The authorized biography of the creator of Middle-earth. In the decades since his death in September 1973, millions have read THE HOBBIT, THE LORD OF THE RINGS, and THE SILMARILLION and become fascinated about the very private man behind the books. Born in South Africa in January 1892, John Ronald Reuel Tolkien was orphaned in childhood and brought up in near-poverty. He served in the first World War, surviving the Battle of the Somme, where he lost many of the closest friends he'd ever had. After the war he returned to the academic life, achieving high repute as a scholar and university teacher, eventually becoming Merton Professor of English at Oxford where he was a close friend of C.S. Lewis and the other writers known as The Inklings. Then suddenly his life changed dramatically. One day while grading essay papers he found himself writing 'In a hole in the ground there lived a hobbit' -- and worldwide renown awaited him. Humphrey Carpenter was given unrestricted access to all Tolkien's papers, and interviewed his friends and family. From these sources he follows the long and painful process of creation that produced THE LORD OF THE RINGS and THE SILMARILLION and offers a wealth of information about the life and work of the twentieth century's most cherished author.

J.R.R. Tolkien's writings on the Second Age of Middle-earth, collected for the first time in one volume complete with new illustrations in watercolor and pencil by renowned artist Alan Lee.J.R.R. Tolkien famously described the Second Age of Middle-earth as a "dark age, and not very much of its history is (or need be) told." And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.It was not until Christopher Tolkien published The Silmarillion after his father's death that a fuller story could be told. Although much of the book's content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island of Númenor. Raised out of the Great Sea and gifted to...

THE HISTORY OF MIDDLE-EARTH Poems and prose, maps and chronologies, detours and diversions along the road to Middle-earth . . . Christopher Tolkien has gathered archival materials that his late father, J. R. R. Tolkien, used to create the world and the history behind his classic stories. THE EVOLUTION OF A WORLD This fourth volume of The History of Middle-earth presents early versions of those first tales, from the creation myth to the fall of Morgoth. Writings include a chronology of the events in Beleriand, the first Silmarillion map, and the only known description of the physical nature of Middle-earth's universe. Detailed annotations highlight changes ranging from the spelling of Elvish names to pivotal emendations whose effects reach even to the war of the ring. The Shaping of Middle-earth presents a solid framework by which to trace the development of the early lore of Middle-earth. It is a truly indispensable reference work for those familiar with the history of that endlessly beloved land--and fascinating reading for those just entering that world.

The Fall of Arthur recounts in verse the last campaign of King Arthur, who, even as he stands at the threshold of Mirkwood, is summoned back to Britain by news of the treachery of Mordred. Already weakened in spirit by Guinevere’s infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred’s rebels and foreign mercenaries. Powerful, passionate, and filled with vivid imagery, this unfinished poem reveals Tolkien’s gift for storytelling at its brilliant best. Christopher Tolkien, editor, contributes three illuminating essays that explore the literary world of King Arthur, reveal the deeper meaning of the verses and the painstaking work his father applied to bring the poem to a finished form, and investigate the intriguing links between The Fall of Arthur and Tolkien’s Middle-earth.

'...If you wanted to go on from the end of The Hobbit I think the ring would be your inevitable choice as the link. If then you wanted a large tale, the Ring would at once acquire a capital letter; and the Dark Lord would immediately appear. As he did, unasked, on the hearth at Bag End as soon as I came to that point. So the essential Quest started at once. But I met a lot of things along the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner of the inn was a shock, and I had no more idea who he was than Frodo did. The Mines of Moria had been a mere name; and of Lothlorien no word had reached my mortal ears till I came there.' -- J.R.R. Tolkien to W.H. Auden, June 7, 1955J.R.R. Tolkien, cherished author of The Hobbit, The Lord of the Rings, and The Silmarillion, was one of the twentieth century's most prolific letter writers. Over the years he wrote a mass of letters -- to his publishers, his family, to friends, and to fans of his books -- which record the history and composition of his works and his reaction to subsequent events.By turns thoughtful, impish, scholarly, impassioned, playful, vigorous, and gentle, Tolkien poured his heart and mind into a great stream of correspondence to intimate friends and unknown admirers all over the world. From this collection one sees a mind of immense complexity and many layers -- artistic, religious, charmingly eccentric, sentimental, and ultimately brilliant.Now newly expanded with a detailed index, this collection provides an invaluable record that sheds much light on Tolkien's creative genius, his thoughts and feelings about his own work, and the evolution of his grand design for the creation of a whole new world -- Middle-earth.

From Library JournalThis is the third volume culled from Tolkien's unpublished manuscripts. Two tales from the Silmarillion the tragedy of Turin Turambar and the epic quest of Beren and Luthienappear in early versions. Turin's story is told in alliterative verse, the other in rhymed couplets. The multiple extant versions of each poem have been painstakingly arranged and synthesized by Tolkien's son Christopher, who has also provided elaborate notes on their relation to previously published works. While the power of Tolkien's central characterstragic, cursed Turin; the lovers Beren and Luthienshines through these poems, they are of interest chiefly in showing the development of a writer's ideas. For comprehensive literature and fantasy collections. Beth Ann Mills, New Rochelle P.L., N.Y.Copyright 1985 Reed Business Information, Inc. Review'A worthy addition to The History of Middle-earth' Mallorn 'Anyone loving the oiginal books will want to study this one' Daily Mail

The complete collection of Tolkien's essays, including two on Beowulf, which span three decades beginning six years before The Hobbit to five years after The Lord of the Rings. The seven essays by J.R.R. Tolkien assembled in this edition were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien's work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given in the University of Glasgow in 1953. Also included in this volume is the lecture 'English and Welsh'; the Valedictory Address to the University of Oxford in 1959; and a paper on Invented Languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is 'On Fairy-Stories', a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien's approach to...

“The most enjoyable work on Tolkien I have read in many years” Christina Scull 

Aragorn. Strider. King. Ranger. He is one of the most famous and celebrated characters in the history of popular literature. But how much do you really know about the man?

This book is a biographical study of Aragorn, covering his ancestry, pre-birth prophecies, the various stages of his life, and his death early in the Fourth Age. There is particular emphasis on the struggles he faced, both physical and mental, and on his crucial role (easily overlooked or underestimated) in bringing about the destruction of the One Ring and the downfall of Sauron. There are also discussions on his appearance and on his many names and titles. 

Additionally, it is a detailed examination of his interactions and relationships with his contemporaries in Middle-earth, both with individuals and races. It also considers the influence of some of his ancestors on his character and attitude. 

Angela Nicholas graduated in Latin at London University in 1971 and subsequently gained post-graduate qualifications in Librarianship (1974) and Information Technology (1989). This book is the result of her passion for one of Professor Tolkien’s most beloved heroes.

First ever publication of J.R.R. Tolkien's final writings on Middle-earth, covering a wide range of subjects and perfect for those who have read and enjoyed The Silmarillion, The Lord of the Rings, Unfinished Tales, and The History of Middle-earth, and want to learn more about Tolkien's magnificent world. It is well known that J.R.R. Tolkien published The Hobbit in 1937 and The Lord of the Rings in 1954–5. What may be less known is that he continued to write about Middle-earth in the decades that followed, right up until the years before his death in 1973. For him, Middle-earth was part of an entire world to be explored, and the writings in The Nature of Middle-earth reveal the journeys that he took as he sought to better understand his unique creation. From sweeping themes as profound as Elvish immortality and reincarnation, and the Powers of the Valar, to the more earth-bound subjects of the lands and beasts of Númenor, the geography of the Rivers and Beacon-hills of Gondor, and...

In The War of the Ring Christopher Tolkien takes up the story of the writing of The Lord of the Rings with the Battle of Helm's Deep and the drowning of Isengard by the Ents. This is followed by an account of how Frodo, Sam and Gollum were finally brought to the Pass of Kirith Ungol, at which point J.R.R. Tolkien wrote at the time: 'I have got the hero into such a fix that not even an author will be able to extricate him without labour and difficulty'. Then comes the war in Gondor, and the book ends with the parley between Gandalf and the ambassador of the Dark Lord before the Black Gate of Mordor. In describing his intentions for The Return of the King J.R.R. Tolkien said that 'It will probably work out very differently from this plan when it really gets written, as the thing seems to write itself once it gets going'; and in The War of the Ring totally unforeseen developmenst that would become central to the narrative are seen at the moment of their emergence: the palantir bursting into fragments on the stairs of Orthanc, its nature as unknown to the author as to those who saw it fall, or the entry of Faramir into the story ('I am sure I did not invent him, though I like him, but there he came walking into the woods of Ithilien').The book is illustrated with plans and drawings of the changing conceptions of Orthanc, Dunharrow, Minas Tirith and the tunnels of Shelob's Lair.

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to...

The original authorised biography, and the only one written by an author who actually met J.R.R. Tolkien. In the 25 years since Tolkien?s death in September 1973, millions have read The Hobbit, The Lord of the Rings and The Silmarillion and become fascinated about the very private man behind the books. Born in Bloemfontein in January 1892, John Ronald Reuel Tolkien was orphaned in childhood, brought up in near-poverty and almost thwarted in adolescent romance. He served in the First World War, surviving the Battle of the Somme, where he lost some of his closest friends, and returned to academic life, achieving high repute as a scholar and university teacher, eventually becoming Merton Professor of English at Oxford. Then suddenly his life changed dramatically. One day while marking essay papers he found himself writing ?In a hole in the ground there lived a hobbit? ? and worldwide renown awaited him. Humphrey Carpenter was given unrestricted access to all Tolkien?s papers, and...

The first of a two-book set that contains the early myths and legends which led to the writing of Tolkien's epic tale of war, The Silmarillion.The Book of Lost Tales stands at the beginning of the entire conception of Middle-earth and Valinor for the Tales were the first form of the myths and legends that came to be called The Silmarillion. Embedded in English legend and English association, they are set in the narrative frame of a great westward voyage over the Ocean by a mariner named Eriol to the lonely Isle where the Elves dwelt; from them he learned their true history, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts of Gods and Elves, Dwarves, Balrogs and Orcs; of the Silmarils and the Two Trees.HarperCollins are delighted to publish this classic in ebook format for the first time.

'...If you wanted to go on from the end of The Hobbit I think the ring would be your inevitable choice as the link. If then you wanted a large tale, the Ring would at once acquire a capital letter; and the Dark Lord would immediately appear. As he did, unasked, on the hearth at Bag End as soon as I came to that point. So the essential Quest started at once. But I met a lot of things along the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner of the inn was a shock, and I had no more idea who he was than Frodo did. The Mines of Moria had been a mere name; and of Lothlorien no word had reached my mortal ears till I came there.' -- J.R.R. Tolkien to W.H. Auden, June 7, 1955J.R.R. Tolkien, cherished author of The Hobbit, The Lord of the Rings, and The Silmarillion, was one of the twentieth century's most prolific letter writers. Over the years he wrote a mass of letters -- to his publishers, his family, to friends, and to fans of his books -- which record the history and composition of his works and his reaction to subsequent events.By turns thoughtful, impish, scholarly, impassioned, playful, vigorous, and gentle, Tolkien poured his heart and mind into a great stream of correspondence to intimate friends and unknown admirers all over the world. From this collection one sees a mind of immense complexity and many layers -- artistic, religious, charmingly eccentric, sentimental, and ultimately brilliant.Now newly expanded with a detailed index, this collection provides an invaluable record that sheds much light on Tolkien's creative genius, his thoughts and feelings about his own work, and the evolution of his grand design for the creation of a whole new world -- Middle-earth.

Unavailable for more than 70 years, this early but important work is published for the first time with Tolkien's 'Corrigan' poems and other supporting material, including a prefatory note by Christopher Tolkien. Set 'In Britain's land beyond the seas' during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the 'Aotrou' and 'Itroun' of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life. Coming from the darker side of J.R.R. Tolkien's imagination, The Lay of Aotrou and Itroun, together with the two shorter 'Corrigan' poems that lead up to it and which are also included, was the outcome of a comparatively short but intense period in Tolkien's life when he was...

The world first publication of a previously unknown work of fantasy by J.R.R. Tolkien, which tells the powerful story of a doomed young man who is sold into slavery and who swears revenge on the magician who killed his father. Kullervo son of Kalervo is perhaps the darkest and most tragic of all J.R.R. Tolkien's characters. 'Hapless Kullervo', as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny. Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and who tries three times to kill him when still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and guarded by the magical powers of the black dog, Musti. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruellest of fates. Tolkien himself said that The Story of Kullervo was 'the germ of my attempt to write legends of my...

Amazon.com ReviewA Christian can almost be forgiven for not reading the Bible, but there's no salvation for a fantasy fan who hasn't read the gospel of the genre, J.R.R. Tolkien's definitive three-book epic, the Lord of the Rings (encompassing The Fellowship of the Ring, The Two Towers, and The Return of the King), and its charming precursor, The Hobbit. That many (if not most) fantasy works are in some way derivative of Tolkien is understood, but the influence of the Lord of the Rings is so universal that everybody from George Lucas to Led Zeppelin has appropriated it for one purpose or another.Not just revolutionary because it was groundbreaking, the Lord of the Rings is timeless because it's the product of a truly top-shelf mind. Tolkien was a distinguished linguist and Oxford scholar of dead languages, with strong ideas about the importance of myth and story and a deep appreciation of nature. His epic, 10 years in the making, recounts the Great War of the Ring and the closing of Middle-Earth's Third Age, a time when magic begins to fade from the world and men rise to dominance. Tolkien carefully details this transition with tremendous skill and love, creating in the Lord of the Rings a universal and all-embracing tale, a justly celebrated classic. --Paul HughesFrom Library JournalNew Line Cinema will be releasing "The Lord of the Rings" trilogy in three separate installments, and Houghton Mifflin Tolkien's U.S. publisher since the release of The Hobbit in 1938 will be re-releasing each volume of the trilogy separately and in a boxed set (ISBN 0-618-15397-7. $22; pap. ISBN 0-618-15396-9. $12). Copyright 2001 Reed Business Information, Inc.

The second of a two-book set that contains the early myths and legends which led to the writing of Tolkien's epic tale of war, The Silmarillion.This second part of The Book of Lost Tales includes the tale of Beren and LÚthien, TÚrin and the Dragon, and the only full narratives of the Necklace of the Dwarves and the Fall of Gondolin, itself the finest and most exciting depiction of a battle that Tolkien ever wrote. Each tale is followed by a commentary in the form of a short essay, together with texts of associated poems, and contains extensive information on names and vocabulary in the earliest Elvish languages.HarperCollins are delighted to publish this classic in ebook format for the first time.

Repackaged to feature Tolkienâ??s own painting of the Tree of Amalion, this collection includes his famous essay, â??On Fairy-storiesâ?? and the story that exemplifies this, â??Leaf by Niggleâ??, together with the poem â??Mythopoeiaâ?? and the verse drama, â??The Homecoming of Beorhtnothâ??, which tells of the events following the disastrous Battle of Maldon. Fairy-stories are not just for children, as anyone who has read Tolkien will know. In his essay On Fairy-Stories, Tolkien discusses the nature of fairy-tales and fantasy and rescues the genre from those who would relegate it to juvenilia. The haunting short story, Leaf by Niggle, recounts the story of the artist, Niggle, who has â??a long journey to makeâ?? and is seen as an allegory of Tolkienâ??s life. The poem Mythopoeia relates an argument between two unforgettable characters as they discuss the making of myths. Lastly, and published for the very first time, we are treated to the translation of Tolkienâ??s account of the...

The second part of The History of The Lord of the Rings, an enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety.The Treason of Isengard continues the account of the creation of The Lord of the Rings started in the earlier volume, The Return of the Shadow.It races the great expansion of the tale into new lands and peoples south and east of the Misty Mountains: the emerence of Lothlorien, of Ents, of the Riders of Rohan, and of Saruman the White in the fortress of Isengard.In brief outlines and pencilled drafts dashed down on scraps of paper are seen the first entry of Galadriel, the earliest ideas of the history of Gondor, and the original meeting of Aragorn and Eowyn, its significance destined to be wholly transformed.The book also contains a full account of the original map which was to be the basis of the emerging geography of Middle-earth.This series of fascinating books has now been repackaged to complement the distinctive and classic style of the 'black cover' A-format paperbacks of The Hobbit, The Lord of the Rings, The Silmarillion and Unfinished Tales.

Long before the One Ring was forged in the fires of Mount Doom, one man—Húrin—dared to defy Morgoth, the first and greatest of the dark lords to plague Middle-earth. Thus did he and his children, Túrin and Niënor, earn the enmity of a merciless foe that would shape the destiny of all the ages to come. Only J.R.R. Tolkien, the undisputed master of the fantastic, could have conceived this magical tale of Elves and Men united against a brutal foe. And only Christopher Tolkien, the master’s son and literary heir, could have fit the pieces of his father’s unfinished work together with such deep understanding and consummate artistry. With an introduction and appendiCes by Christopher Tolkien, who has also contributed maps and genealogy tables, and eight stunning paintings and twenty-five pencil drawings by Oscar-winning artist Alan Lee, The Children of Húrin at last takes its proper place as the very cornerstone of J.R.R. Tolkien’s immortal achievement.

Every December an envelope bearing a stamp from the North Pole would arrive for J.R.R. Tolkien's children. Inside would be a letter in a strange, spidery handwriting and a beautiful colored drawing or painting. The letters were from Father Christmas.They told wonderful tales of life at the North Pole: how the reindeer got loose and scattered presents all over the place; how the accident-prone North Polar Bear climbed the North Pole and fell through the roof of Father Christmas's house into the dining room; how he broke the Moon into four pieces and made the Man in it fall into the back garden; how there were wars with the troublesome horde of goblins who lived in the caves beneath the house, and many more.No reader, young or old, can fail to be charmed by Tolkien's inventiveness in this classic holiday treat.

First ever standalone edition of one of J.R.R. Tolkien's most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, and which features unpublished and never-before-seen texts and drafts. In 991 AD, vikings attacked an Anglo-Saxon defence-force led by their duke, Beorhtnoth, resulting in brutal fighting along the banks of the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, due to it being immortalised in the poem, The Battle of Maldon. Written shortly after the battle, the poem now survives only as a 325-line fragment, but its value to today is incalculable, not just as an heroic tale but in vividly expressing the lost language of our ancestors and celebrating ideals of loyalty and friendship. J.R.R. Tolkien considered The Battle of Maldon 'the last surviving fragment of ancient English heroic minstrelsy'. It would inspire him to compose, during the...

While Bilbo embarks on his last journey to the West, his mind is cast back to his first big adventure, THE HOBBIT.J.R.R TOLKIEN's beautiful poem is bought to life through Pauline Bayne's stunning illustrations. It's the perfect introduction to the epic fantasy series of THE HOBBIT and THE LORD OF THE RINGS for younger readers, and a real treat for all Tolkien fans.Baynes' illustrations have been fully restored in this fantastic new edition, which is published to coincide with the film release of THE HOBBIT in autumn 2012.

This collection will entertain all who appreciate the art of masterful letter writing. The Letters of J.R.R Tolkien sheds much light on Tolkien's creative genius and grand design for the creation of a whole new world: Middle-earth. Featuring a radically expanded index, this volume provides a valuable research tool for all fans wishing to trace the evolution of THE HOBBIT and THE LORD OF THE RINGS.

From Library JournalA cautionary tale by Stephen R. Donaldson ("Reeve the Just"), a whimsical ad venture in miniature by Dennis L. McKiernan ("The Halfling House"), and a tribute to the art of storytelling by Charles de Lint ("The Conjure Man") il lustrate the variety of this collection of 19 stories written to celebrate the centennial of Tolkien's birth. Although fans of Middle Earth may be disappointed that none of these tales draw directly from Tolkien's world, discerning readers will find the unmistakable stamp of the master concealed in the heart of each story. All in all, this solid collection of fantasy belongs in most libraries. For a new edition of The Lord of the Rings and more on Tolkien, see Classic Returns, LJ 11/15/91.Copyright 1991 Reed Business Information, Inc. From Kirkus ReviewsYet another Festschrift anthology by Greenberg, who has recently edited or coedited tributes to Isaac Asimov, Ray Bradbury, and H.P. Lovecraft, this time to honor the much-imitated author of The Hobbit and The Lord of the Rings. The difficulty with these projects is that the writers must retain the essential flavor of their own work while evoking somehow the style or subject or tone of the revered predecessor, and here--as in the Asimov, Bradbury, and Lovecraft volumes--the quality of the stories varies tremendously. The book leads off with an exceptionally good story by Stephen R. Donaldson, Reave the Just,'' in which a legendary hero saves the day in a most unusual fashion. Emma Bull'sSilver or Gold,'' Peter S. Beagle's The Naga,'' Judith Tarr'sDeath and the Lady,'' and Patricia A. McKillip's The Fellowship of the Dragon'' likewise evoke something of the spirit of Tolkien while offering wonderful, original tales in their authors' own strong voices. Meanwhile, John Brunner, Barry N. Malzberg, and Gregory Benford provide solid stories, but their connection to Tolkien is slight. Much that's unfortunately mediocre, and a few stories (such as Dennis L. McKiernan'sThe Halfling House,'' egregious at 29 pages) that would have made Tolkien himself wince--but, still, the strongest tales here are among the best short-length fantasy of the year. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

In The War of the Ring Christopher Tolkien takes up the story of the writing of The Lord of the Rings with the Battle of Helm's Deep and the drowning of Isengard by the Ents. This is followed by an account of how Frodo, Sam and Gollum were finally brought to the Pass of Kirith Ungol, at which point J.R.R. Tolkien wrote at the time: 'I have got the hero into such a fix that not even an author will be able to extricate him without labour and difficulty'. Then comes the war in Gondor, and the book ends with the parley between Gandalf and the ambassador of the Dark Lord before the Black Gate of Mordor. In describing his intentions for The Return of the King J.R.R. Tolkien said that 'It will probably work out very differently from this plan when it really gets written, as the thing seems to write itself once it gets going'; and in The War of the Ring totally unforeseen developmenst that would become central to the narrative are seen at the moment of their emergence: the palantir bursting into fragments on the stairs of Orthanc, its nature as unknown to the author as to those who saw it fall, or the entry of Faramir into the story ('I am sure I did not invent him, though I like him, but there he came walking into the woods of Ithilien').The book is illustrated with plans and drawings of the changing conceptions of Orthanc, Dunharrow, Minas Tirith and the tunnels of Shelob's Lair.

Amazon.com ReviewThe first complete book by J.R.R. Tolkien in three decades--since the publication of The Silmarillion in 1977--The Children of Húrin reunites fans of The Hobbit and The Lord of the Rings with Elves and Men, dragons and Dwarves, Eagles and Orcs. Presented for the first time as a complete, standalone story, this stirring narrative will appeal to casual fans and expert readers alike, returning them to the rich landscape and characters unique to Tolkien. Adam Tolkien on *The Children of Húrin*How did a lifetime of stories become The Children of Húrin? In an essay on the making of the book, Adam Tolkien, grandson of J.R.R. Tolkien (and French translator of his History of Middle-earth), explains that the Húrin legends made up the third "Great Tale" of his grandfather's Middle-earth writing, and he describes how his father, Christopher Tolkien, painstakingly collected the pieces of the legend into a complete story told only in the words of J.R.R. Tolkien. "For anyone who has read The Hobbit and The Lord of the Rings," he writes, The Children of Húrin "allows them to take a step back into a larger world, an ancient land of heroes and vagabonds, honour and jeopardy, hope and tragedy." A Look Inside the BookThis first edition of The Children of Húrin is illustrated by Alan Lee, who was already well-known for his Tolkien illustrations in previous editions (see our Tolkien Store for more) as well as his classic collaboration with Brian Froud, Faeries, and his Kate Greenaway Medal-winning Black Ships Before Troy, before his Oscar-winning work as conceptual designer for Peter Jackson's Lord of the Rings film trilogy brought him even greater acclaim. Here's a quick glimpse of two of Lee's interior illustrations for The Children of Húrin. (Click on each to see larger images.) Questions for Alan LeeWe had the chance to ask Alan Lee a few questions about his illustrative collaboration with the world imagined by J.R.R. Tolkien: Amazon.com: How much of a treat was it to get first crack at depicting entirely new characters rather than ones who had been interpreted many times before? Was there one who particularly captured your imagination? Lee: Although it was a great honor to illustrate The Children of Húrin, the characters and the main elements of the story line are familiar to those who have read The Silmarillion and Unfinished Tales, and these narratives have inspired quite a few illustrators. Ted Nasmith has illustrated The Silmarillion and touched on some of the same characters and landscapes. This was the first time that I ventured into the First Age; while working on The Lord of the Rings books and films--and The Hobbit--I've had to refer back to events in Middle-earth history but not really depict them. I'm drawn to characters who bear similarities to the protagonists in myths and legends; these correspondences add layers and shades of meaning, and most of the characters in this story have those archetypal qualities. However, I prefer not to get too close to the characters because the author is delineating them much more carefully than I can, and I'm wary of interfering with the pictures that the text is creating in the reader's mind. Amazon.com: The Húrin story has been described as darker than some of Tolkien's other work. What mood did you try to set with your illustrations? Lee: It is a tragic story, but the darkness is offset by the light and beauty of Tolkien's elegiac writing. In the illustrations I tried to show some of the fragile beauty of the landscapes and create an atmosphere that would enhance the sense of foreboding and impending loss. I try to get the setting to tell its part in the story, as evidence of what happened there in the past and as a hint at what is going to occur. My usual scarred and broken trees came in handy. Amazon.com: You were a conceptual designer (and won an Oscar) for Peter Jackson's film trilogy of The Lord of the Rings, which I think we can safely say had a bit of success. How does designing for the screen compare to designing for the page? Lee: They both have their share of joys and frustrations. It was great to be part of a huge film collaboration and play a small part in something quite magical and monumental; I will always treasure that experience. Film is attractive because I enjoy sketching and coming up with ideas more than producing highly finished artwork, and it's great having several hundred other people lending a hand! But books--as long as they don't get moldy from being left in an empty studio for six years--have their own special quality. I hope that I can continue doing both. Amazon.com: Of all fiction genres, fantasy seems to have the strongest tradition of illustration. Why do you think that is? Who are some of your favorite illustrators? Lee: A lot of excellent illustrators are working at the moment--especially in fantasy and children's books. It is exciting also to see graphic artists such as Dave McKean, in his film Mirrormask, moving between different media. I also greatly admire the more traditional work of Gennady Spirin and Roberto Innocenti. Kinuko Craft, John Jude Palencar, John Howe, Charles Vess, Brian Froud ... I'll stop there, as the list would get too long. But--in a fit of pride and justified nepotism--I'll add my daughter, Virginia Lee, to the list. Her first illustrated children's book, The Frog Bride [coming out in the U.K. in September], will be lovely. More Tolkien FavoritesVisit our J.R.R. Tolkien Store for a complete selection of Tolkien classics, including deluxe editions, young readers' editions, and more. The Lord of the Rings50th Anniversary EditionThe HobbitCollector's EditionThe Atlas of Middle EarthFrom Publishers WeeklyTolkien fans are sure to treasure this tale of Middle-earth's First Age, which appeared in incomplete forms in the posthumously published The Silmarillion and Unfinished Tales. Those earlier books, also edited by Tolkien's son, Christopher, only hinted at the depth and power of the tragic story of Túrin and Niënor, the children of Húrin, the lord of Dor-lómin, who achieved renown for having confronted Morgoth, who was the master of Sauron, the manifestation of evil in the Lord of the Rings. The lengthy and fatiguing battle against Morgoth forms the backdrop for the moving account of the life of Húrin's eldest son, Túrin, a valiant but proud warrior whose all too human frailties augur an unhappy end. Perhaps Tolkien's most three-dimensional figure, Túrin flees from the elven kingdom where he has grown into manhood, sheltered from the forces of evil, after he's unjustly judged responsible for another's death. He hides his true identity as he begins a new life as leader of a band of outlaws, a choice that has dire consequences when he crosses paths with a family member after many years of separation. Deftly balancing thrilling battles with moments of introspection, Tolkien's vivid and gripping narrative reaffirms his primacy in fantasy literature. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Enter Mirkwood, the Great Forest of Doubt Bold new author Steve Hillard's wildly original debut, Mirkwood, re-invents J.R.R. Tolkien as a man haunted by the very myths he rewove into his famous works. As much literary criticism as boisterous epic, this episodically-driven plot explores the blurred borderlands where ancient tales, lost heroines, and epic journeys are stalked by dim monsters that will not be still. In 1970, Professor Tolkien makes a little-known visit to America-and sets in motion elvish powers embodied in a cache of archaic documents. Destinies are altered, legends become real, and two heroines must race for their lives in vastly different worlds.      

The popular paperback edition with a cover design by Tolkien himself, to complement the Hobbit and Lord of the Rings paperbacks. Includes a special preface by J.R.R. Tolkien.The Silmarillion is an account of the Elder Days, of the First Age of Tolkien’s world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings.

This revised and expanded edition of Tolkien's own Hobbit-inspired poetry includes previously unpublished poems and notes, and is beautifully illustrated by Narnia artist Pauline Baynes. 'Here is something that no devotee of the Hobbit epic can afford to miss, while awaiting a further instalment of the history of these fascinating people – a selection [of verses] offered as an 'interim report' to those interested in Hobbit-lore, and to any others who may find amusement in this mixed bag of old confections.' One of the most intriguing characters in The Lord of the Rings, the amusing and enigmatic Tom Bombadil, also appears in verses said to have been written by Hobbits and preserved in the 'Red Book' with stories of Bilbo and Frodo Baggins and their friends. The Adventures of Tom Bombadil collects these and other poems, mainly concerned with legends and jests of the Shire at the end of the Third Age. This special edition has been expanded to include earlier versions of some of...

The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal elf. Her father, a great elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the...

Enter Mirkwood, the Great Forest of Doubt Bold new author Steve Hillard's wildly original debut, Mirkwood, re-invents J.R.R. Tolkien as a man haunted by the very myths he rewove into his famous works. As much literary criticism as boisterous epic, this episodically-driven plot explores the blurred borderlands where ancient tales, lost heroines, and epic journeys are stalked by dim monsters that will not be still. In 1970, Professor Tolkien makes a little-known visit to America-and sets in motion elvish powers embodied in a cache of archaic documents. Destinies are altered, legends become real, and two heroines must race for their lives in vastly different worlds.