At eighteen, Ben is in the world, but not of it. He is too large, too awkward, too inhumanly made. Now estranged from his family, he must find his own path in life. From London and the south of France to Brazil and the mountains of the Andes. Ben is tossed about in a tumultuous search for his people, a reason for his being. How the world receives him, and, he fares in it will horrify and captivate until the novel's dramatic finale.

The Good Terrorist follows Alice Mellings, a woman who transforms her home into a headquarters for a group of radicals who plan to join the IRA. As Alice struggles to bridge her ideology and her bourgeois upbringing, her companions encounter unexpected challenges in their quest to incite social change against complacency and capitalism. With a nuanced sense of the intersections between the personal and the political, Nobel laureate Doris Lessing creates in The Good Terrorist a compelling portrait of domesticity and rebellion. From the Trade Paperback edition.

Dorris Lessing's classic series of autobiographical novels is the fictional counterpart to Under My Skin. In these five novels, first published in the 1950's and 60s, Doris Lessing transformed her fascinating life into fiction, creating her most complex and compelling character, Martha Quest.

The stories and sketches in this collection penetrate to the heart of human experience with the passion and intelligence readers have come to expect of Doris Lessing. Most of the piece are set in contemporary London, a city the author loves for its variety, its diversity, its transitoriness, the way it connects the life of animals and birds in the parks to the streets. Lessing's fiction also explores the darker corners of relationships between women and men, as in the rich and emotionally complex title story, in which she uncovers a more parlous reality behind the facade of the most conventional relationship between the sexes.

All Doris Lessing's short novels and stories are now collected into two volumes, This Was The Old Chef's Country and The Sun Between Their Feet. This volume contains all the stories from the original book entitled This Was The Old Chief's Country and three of the short novels from Five, the book which won the Somerset Maugham Award in 1954. 'I believe,' writes Doris Lessing, "that the chief gift from Africa to writers, white and black, is the continent itself, its presence which for some people is like a old fever, latent always in their blood; or it like an old wounded throbbing in the bones as the air changes. That is not a place to visit unless one chooses to be an exile ever afterwards from an inexplicable majestic silence lying just over the border of memory or of thought. Africa gives you the knowledge that man is a small creature, among other creatures, in a large landscape.' In this Edition: The Old Chief Mshlanga A Sunrise on the Veld No Witchcraft for Sale The Second Hut The Nuisance The De Wets Come to Kloof Grange Little Tembi Old John's Place 'Leopard' George Winter in July A Home for the Highland Cattle Eldorado The Antheap Includes the Preface for the 1964 Collection and a new Preface for the 1973 Collection. All of these stories appeared in African Stories, 1963.

In the aftermath of World War II, Martha Quest finds herself completely disillusioned. She is losing faith with the communist movement in Africa, and her marriage to one of the movement's leaders is disintegrating. Determined to resist the erosion of her personality, she engages in the first satisfactory love affair and breaks free, if only momentarily, from her suffocating unhappiness. Landlocked is the fourth novel of Doris Lessing's classic Children of Violence sequence of novels, each a masterpiece in its own right, and collectively an incisive, all encompassing vision of our world in the twentiethcentury. Author Biography: Doris Lessing was born Doris May Taylor in Persia (now Iran) on October 22, 1919. Both of her parents were British: Her father, who had been crippled in World War I, was a clerk in the Imperial Bank of Persia; her mother had been a nurse. In 1925, lured by the promise of getting rich through maize farming, the family moved to the British colony in Southern Rhodesia (now Zimbabwe). Her mother installed Doris in a covenant school, and then later in an all-girls high school in the capital of Salisbury, from which she soon dropped out. She was 13, and it was the end of her formal education. Lessing's life has been a challenge to her belief that people cannot resist the currents of their time, as she fought against the cultural and biological imperatives that fated her to sink without a murmur into marriage and motherhood. Lessing believes that she was freer than most people because she became a writer. For her, writing is a process of "setting a distance," taking the "raw, the individual, the uncriticized, the unexamined, into therealm of the general." Lessing's fiction is deeply autobiographical, much of it emerging out of her experiences in Africa. Drawing upon her childhood memories and her serious engagement with politics and social concerns, Lessing has written about the clash of cultures, the gross injustices of racial inequality, the struggle among opposing elements within an individual's own personality, and the conflict between the individual conscience and the collective good. Over the years, Lessing has attempted to accommodate what she admires in the novels of the 19th century — their "climate of ethical judgment" — to the demands of 20th-century ideas about consciousness and time. After writing the Children of Violence series (1952-1959), a formally conventional bildungsroman (novel of education) about the growth in consciousness of her heroine, Martha Quest, Lessing broke new ground with The Golden Notebook (1962), a daring narrative experiment in which the multiple selves of a contemporary woman are rendered in astonishing depth and detail. Anna Wolf, like Lessing herself, strives for ruthless honesty as she aims to free herself from the chaos, emotional numbness and hypocrisy afflicting her generation. In the 1970s and 1980s, Lessing began to explore more fully the quasi-mystical insight Anna Wolf seems to reach by the end of The Golden Notebook. Her "inner-space fiction" deals with cosmic fantasies Briefing for a Descent into Hell, 1971), dreamscapes and other dimensions (Memoirs of a Survivor, 1974), and science-fiction probings of higher planes of existence (Canopus in Argos: Archives, 1979-1983). These reflect Lessing's interest, since the 1960s, in Idries Shah, whose writings on Sufi mysticism stress the evolution of consciousness and the belief that individual liberation can come about only if people understand the link between their own fates and the fate of society. Lessing's other novels include The Good Terrorist (1985) and The Fifth Child (1988); she also published two novels under the pseudonym Jane Somers (The Diary of a Good Neighbor, 1983, and If the Old Could., 1984). In addition, she has written several nonfiction works, including books about cats, a love since childhood. Under My Skin: Volume One of My Autobiography, to 1949 was recently joined by Walking in the Shade: 1949 to 1962, both published by HarperCollins.

Published in America as The Real Thing: Stories and Sketches. Across eighteen short stories, Lessing dissects London and its inhabitants with the power for truth and compassion to be expected of the Nobel Prize for Literature 2007. 'During that first year in England, I had a vision of London I cannot recall now … it was a nightmare city that I lived in for a year. Then, one evening, walking across the park, the light welded buildings, trees and scarlet buses into something familiar and beautiful, and I knew myself to be at home.' Lessing’s vision of London – a place of nightmares and wonder – underpins this brilliantly multifaceted collection of stories about the city, seen from a cafe table, a hospital bed, the back seat of a taxi, a hospital casualty department; seen, as always, unflinchingly, and compellingly depicted.

Doris Lessing, one of England's finest living novelists, invites us to imagine a mythical society free from sexual intrigue, free from jealousy, free from petty rivalries: a society free from men. An old Roman senator, contemplative at his late stage of life, embarks on what will likely be his last endeavour: the retelling of the story of human creation. He recounts the history of the Clefts, an ancient community of women living in an Edenic, coastal wilderness, confined within the valley of an overshadowing mountain. The Clefts have no need nor knowledge of men -- childbirth is controlled, like the tides that lap around their feet, through the cycles of the moon, and their children are always female. But with the unheralded birth of a strange, new child -- a boy -- the harmony of their community is suddenly thrown into jeopardy. At first, in their ignorance, the Clefts are awestruck by this seemingly malformed child, but as more and more of these threateningly unfamiliar males appear, now unfavourably nicknamed Squirts, they are rejected, and are exposed on the nearby mountainside; sacrificed to the patrolling eagles overhead, the sentinels of their female haven. Unbeknownst to the Clefts, however, these baby males survive, aided by the very eagles sent to kill them, and thrive on their own on the other side of the mountain. It is not until an unusually curious young Cleft named Maire goes beyond the geographical, and emotional, divide of the mountain that this disquieting fact is uncovered -- a discovery that forces the Clefts to accept and realign themselves to the prospect of a now shared world, and the possible vengeance of the wronged males. In this fascinating and beguiling novel, Lessing confronts head-on the themes that inspired much of her early writing: how men and women, two similar and yet thoroughly distinct creatures, manage to live side by side in the world, and how the specifics of gender affect every aspect of our existence.

Doris Lessing's love affair with cats began at a young age, when she became intrigued with the semiferal creatures on the African farm where she grew up. Her fascination with the handsome, domesticated creatures that have shared her flats and her life in London remained undiminished, and grew into real love with the awkwardly lovable El Magnifico, the last cat to share her home. On Cats is a celebrated classic, a memoir in which we meet the cats that have slunk and bullied and charmed their way into Doris Lessing's life. She tells their stories—their exploits, rivalries, terrors, affections, ancient gestures, and learned behaviors—with vivid simplicity. And she tells the story of herself in relation to cats: the way animals affect her and she them, and the communication that grows possible between them—a language of gesture and mood and desire as eloquent as the spoken word. No other writer conveys so truthfully the real interdependence of humans and cats or convinces us with such stunning recognition of the reasons why cats really matter.

The second volume of Doris Lessing's extraordinary autobiography covers the years 1949-62, from her arrival in war-weary London with her son, Peter, and the manuscript for her first novel, The Grass is Singing, under her arm to the publication of her most famous work of fiction, The Golden Notebook. She describes how communism dominated the intellectual life of the 1950s and how she, like nearly all communists, became disillusioned with extreme and rhetorical politics and left communism behind. Evoking the bohemian days of a young writer and single mother, Lessing speaks openly about her writing process, her friends and lovers, her involvement in the theater, and her political activities. Walking in the Shade is an invaluable social history as well as Doris Lessing's Sentimental Education.

Four novellas by Doris Lessing, winner of the Nobel Prize for Literature, that once again show her to be unequalled in her ability to capture the truth of the human condition. The title story, ‘The Grandmothers’, is an astonishing tour de force, a shockingly intimate portrait of an unconventional extended family and the lengths to which they will go to find happiness and love. Written with a keen cinematic eye, the story is a ruthless dissection of the veneer of middle-class morality and convention. ‘Victoria and the Staveneys’, takes us through 20 years of the life of a young underprivileged black girl in London. A chance meeting introduces her to the Staveneys – a liberal white middle-class family – and, seduced, she falls pregnant by one of the sons. As her daughter grows up, Victoria feels her parental control diminishing as the attractions of the Staveneys’ world exert themselves. An honest and often uncomfortable look at race relations in London over the past few decades, Lessing reaffirms her brilliance at demonstrating the effect of society on the individual. With these novellas, and ‘The Reason for It’ and ‘A Love Child’, Lessing proves once again that she is one of our most valuable and insightful living authors.

The first book after Doris' Nobel Prize takes her back to her childhood in Southern Africa and the lives, both fictional and factual, that her parents lead. 'I think my father's rage at the trenches took me over, when I was very young, and has never left me. Do children feel their parents' emotions? Yes, we do, and it is a legacy I could have done without. What is the use of it? It is as if that old war is in my own memory, my own consciousness.' In this extraordinary book, the new Nobel Laureate Doris Lessing explores the lives of her parents, both of them irrevocably damaged by the Great War. Her father wanted the simple life of an English farmer, but shrapnel almost killed him in the trenches, and thereafter he had to wear a wooden leg. Her mother Emily's great love was a doctor, who drowned in the Channel, and she spent the war nursing the wounded in the Royal Free Hospital. In the first half of this book, Doris Lessing imagines the lives her parents might have made for themselves had there been no war at all, a story that has them meeting at a village cricket match outside Colchester as children but leading separate lives. This is followed by a piercing examination of their lives as they actually came to be in the shadow of that war, their move to Rhodesia, a damaged couple squatting over Doris's childhood in a strange land. 'Here I still am,' says Doris Lessing, 'trying to get out from under that monstrous legacy, trying to get free.' With the publication of Alfred and Emily she has done just that.

An unconventional woman trapped in a conventional marriage, Martha Quest struggles to maintain her dignity and her sanity through the misunderstandings, frustrations, infidelities, and degrading violence of a failing marriage. Finally, she must make the heartbreaking choice of whether to sacrifice her child as she turns her back on marriage and security. A Proper Marriage is the second novel in Doris Lessing's classic Children of Violence series of novels, each a masterpiece on its own right, and, taken together, an incisive and all-encompassing vision of our world in the twentieth century.

The third in Doris Lessing's visionary novel cycle "Canopus in Argos: Archives". It is a mix of fable, futuristic fantasy and pseudo-documentary accounts of 20th-century history.

Set against the backdrop of the decade that changed the world forever, The Sweetest Dream is a riveting look at a group of people who dared to dream-and faced the inevitable cleanup afterward -- from one of the greatest writers of our time.

This book includes every story written by Doris Lessing about Africa: all of her first collection, This Was the Old Chief's Country (unavailable in America); the four tales about Africa from Five (also unavailable); the African stories from The Habit of Loving and A Man and Two Women and four stories never before collected. This, then, is Doris Lessing's Africa - where she lived for twenty-five years and where so much of her interest and concern still resides. Here, as she sees them, are the complexities, the agonies and joys, the textures of African life and society. The collection, bridging as it does Mrs. Lessing's entire writing career, contains much of her most extraordinary work. Beyond that, it is a brilliant portrait of a world that is vital to all of us, shadowy to most of us - perceived by an artist of the first rank writing with passion and honesty about her native land. It is a central book in the work of one of the most important of today's writers.

The second novel in the Classic series "Canopus in Argos: Archives". A tale of love and the anicent battle between men and woman.

Anna is a writer, author of one very successful novel, who now keeps four notebooks. In one, with a black cover, she reviews the African experience of her earlier year. In a red one she records her political life, her disillusionment with communism. In a yellow one she writes a novel in which the heroine reviles part of her own experience. And in the blue one she keeps a personal diary. Finally, in love with an American writer and threatened with insanity, Anna tries to bring the threads of all four books together in a golden notebook.

In a beleaguered city where rats and roving gangs terrorize the streets, where government has broken down and meaningless violence holds sway, a woman -- middle-aged and middle-class -- is brought a twelve-year-old girl and told that it is her responsibility to raise the child. This book, which the author has called "an attempt at autobiography," is that woman's journal -- a glimpse of a future only slightly more horrendous than our present, and of the forces that alone can save us from total destruction

Intelligent, sensitive, and fiercely passionate, Martha Quest is a young woman living on a farm in Africa, feeling her way through the torments of adolescence and early womanhood. She is a romantic idealistic in revolt against the puritan snobbery of her parents, trying to live to the full with every nerve, emotion, and instinct laid bare to experience. For her, this is a time of solitary reading daydreams, dancing -- and the first disturbing encounters with sex. The first of Doris Lessing's timeless Children of Violence novels, Martha Quest is an endearing masterpiece.

Showing Doris Lessing's writing with the angry compassion of first-hand knowledge to reveal an Africa unknown to most Europeans today, this is an evocation of Africa's sounds and smells, its stark power and savage grandeur and its agony and ultimate tragedy.

Martha Quest, the embodied heroine of the Children of Violence series, has been acclaimed as one of the greatest fictional creations in the English language. In a Ripple from the Storm, Doris Lessing charts Martha Quest's personal and political adventures in race-torn British Africa, following Martha through World War II, a grotesque second marriage, and an excursion into Communism. This wise and starling novel perceptively reveals the paradoxes, passions, and ironies rooted in the life of twentieth-century Anglo-Africa. A Ripple from the Storm is the third novel in Doris Lessing's classic Children of Violence sequence of novels, each a masterpiece in its own right, and, taken together, an incisive and all-encompassing vision of our world in the twentieth century.

This major collection contains all of Doris Lessing’s short fiction, other than the stories set in Africa, from the beginning of her career until now. Set in London, Paris, the south of France, the English countryside, these thirty-five stories reflect the themes that have always characterized Lessing’s work: the bedrock realities of marriage and other relationships between men and women; the crisis of the individual whose very psyche is threatened by a society unattuned to its own most dangerous qualities; the fate of women. From the Trade Paperback edition.

Documents Relating to The Sentimental Agents in the Volyen Empire is an sf novel by Nobel Prize in Literature-winner Doris Lessing. It concludes her five-book Canopus in Argos series & comprises a set of documents that describe the final days of the Volyen Empire, located at the edge of our galaxy & under the influence of three other galactic empires, the benevolent Canopus, the tyrannical Sirius & the malicious Shammat of Puttiora. The Sentimental Agents is a social satire written in the tradition of Jonathan Swift & George Orwell focusing on the debasement of language in political rhetoric. In this fictional universe it's propaganda that keeps fragile empires afloat. When language becomes too distorted, some succumb to a condition called "undulant rhetoric" & are placed in a Hospital for Rhetorical Diseases. Because of its focus on characterization & social/cultural issues, & no emphasis on technological details, this book is soft sf, or "space fiction" as Lessing calls her Canopus in Argos series. While The Sentimental Agents can be read as a stand-alone book, she does continue with the history of the Sirian Empire, picking up from where she left off in The Sirian Experiments ('80), 3rd book in the series.

In Pursuit of the English is a novelist's account of a lusty, quarrelsome, unscrupulous, funny, pathetic, full-blooded life in a working-class rooming house. It is a shrewd and unsentimental picture of Londoners you've probably never met or even read about--though they are the real English. The cast of characters--if that term can be applied to real people--includes: Bobby Brent, a con man; Mrs. Skeffington, a genteel woman who bullies her small child and flings herself down two flights of stairs to avoid having another; and Miss Priest, a prostitute, who replies to Lessing's question "Don't you ever like sex?" with "If you're going to talk dirty, I'm not interested." In swift, barbed style, in high, hard, farcical writing that is eruptively funny, Doris Lessing records the joys and terrors of everyday life. The truth of her perception shines through the pages of a work that is a brilliantpiece of cultural interpretation, an intriguing memoir and a thoroughly engaging read.

In this portrait of Doris Lessing's homeland, the author recounts the visits she made to Zimbabwe in 1982, 1988, 1989 and 1992, after being banned from the old Southern Rhodesia for 25 years for her political views and opposition to the minority white Government. The visits constitute a journey to the heart of a country whose history, landscape, people and spirit are evoked by the author in a narrative of detail. She embraces every facet of life in Zimbabwe from the lost animals in the bush to political corruption, from AIDS to a successful communal enterprise created by rural blacks, and notes the kind of changes that can only be appreciated by one who has lived there before.

From the winner of the Nobel Prize for Literature, a collection of some of her finest short stories. For more than four decades, Doris Lessing’s work has observed the passion and confusion of human relations, holding a mirror up to our selves in her unflinching dissection of the everyday. From the magnificent ‘To Room Nineteen’, a study of a dry, controlled middle-class marriage ‘grounded in intelligence’, to the shocking ‘A Woman on the Roof’, where a workman becomes obsessed with a pretty sunbather, this superb collection of stories written over four decades, from the 1950s to the 1990s, bears stunning witness to Doris Lessing’s perspective on the human condition.

As the summer begins, Kate Brown -- attractive, intelligent, forty five, happily enough married, with a house in the London suburbs and three grown children -- has no reason to expect anything will change. But when the summer ends, the woman she was -- living behind a protective camouflage of feminine charm and caring -- no longer exists. This novel. Doris Lessing's brilliant excursion into the terrifying stretch of time between youth and old age, is her journey: from London to Turkey to Spain, from husband to lover to madness: on the road to a frightening new independence and a confrontation with self that lets her, finally, come truly of age. From the Paperback edition.

Two friends, two sons, two shocking and intense love affairs . . . Roz and Lil have been best friends since childhood. But their bond stretches beyond familiar bounds when these middle-aged mothers fall in love with each other's teenage sons—taboo-shattering passions that last for years, until the women end them, vowing to have a respectable old age. With Adore, Doris Lessing, winner of the Nobel Prize for Literature, once again proves her unrivaled ability to capture the truth of the human condition.

Doris Lessing's contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society's unwillingness to recognize its own brutality. Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

The fourth in Doris Lessing's visionary novel cycle Canopus in Argos: Archives. It is a mix of fable, futuristic fantasy and pseudo-documentary accounts of 20th-century history.

From Doris Lessing, winner of the Nobel Prize for Literature, this is the first instalment in the visionary novel cycle ‘Canopus in Argos: Archives’. The story of the final days of our planet is told through the reports of Johor, an emissary sent from Canopus. Earth, now named Shikasta (the Stricken) by the kindly, paternalistic Canopeans who colonised it many centuries ago, is under the influence of the evil empire of Puttiora. War, famine, disease and environmental disasters ravage the planet. To Johor, mankind is a ‘totally crazed species’, racing towards annihilation: his orders to save humanity set him what seems to be an impossible task. Blending myth, fable and allegory, Doris Lessing’s astonishing visionary creation both reflects and redefines the history of our own world from its earliest beginnings to an inevitable, tragic self-destruction.

The second volume of Doris Lessing’s Collected African Stories, and a classic work from the winner of the Nobel Prize for Literature. "As for these stories – when I write one, it is as if I open a gate into a landscape which is always there. Time has nothing to do with it. A certain kind of pulse starts beating, and I recognise it: it is time I wrote another story from that landscape, external and internal at the same time, which was once the Old Chief’s Country." — Doris Lessing, from the Preface. This much-acclaimed collection of stories vividly evokes both the grandeur of Africa and the glare of its sun and the wide open space, as well as the great, irresolvable tensions between whites and blacks. Tales of poor white farmers and their lonely wives, of storm air thick with locusts, of ants and pomegranate trees, black servants and the year of hunger in a native village – all combine to present a powerful image of a continent which seems incorruptible in spite of all the people who plough, mine and plunder it to make their living. In Doris Lessing’s own words, "Africa gives you the knowledge that man is a small creature, among other creatures, in a large landscape."

A visionary novel from Doris Lessing, winner of the Nobel Prize for Literature. It is sooner than you might think. And the Earth’s climate is much changed – it’s colder than ever before in the north, and unbearably dry and hot in the south. Mara, who is seven, and her four-year-old brother Dann find themselves somewhere very strange, not home … They are taken in by a kindly, grandmotherly woman, but this new life is hard: hunger, dirt, thirst and danger are the children’s constant companions. Drought and fire carry off their adoptive home and force them to set off northward into the unknown, to experience a series of adventures that bring them to an altogether altered world, where they can start to learn and build anew. Doris Lessing has written a compelling, troubling and entertaining novel that, through the remarkable odyssey of a brother and sister living in the imagined future, manages to tell us a great deal about the present we perceive only dimly and scarcely know how to value.

A fascinating look inside the mind of a man who is supposedly "mad."

Dann is grown up now, hunting for knowledge and despondent over the inadequacies of his civilization. With his trusted companions—Mara's daughter, his hope for the future; the abandoned child-soldier Griot, who discovers the meaning of love and the ability to sing stories; and the snow dog, a faithful friend who brings him back from the depths of despair—Dann embarks on a strange and captivating adventure in a suddenly colder, more watery climate in the north.

Love, Again tells the story of a 65-year-old woman who falls in love and struggles to maintain her sanity. Widowed for many years, with grown children, Sarah is a writer who works in the theater in London. During the production of a play, she falls in love with a seductive young actor, the beautiful and androgynous 28-year-old Bill, and then with the more mature 35-year-old director Henry. Finding herself in a state of longing and desire that she had thought was the province of younger women, Sarah is compelled to explore and examine her own personal history of love, from her earliest childhood desires to her most recent obsessions. The result is a brilliant anatomy of love from a master of human psychology who remains one of the most daring writers of fiction at work today.

Set in South Africa under white rule, Doris Lessing's first novel is both a riveting chronicle of human disintegration and a beautifully understated social critique. Mary Turner is a self-confident, independent young woman who becomes the depressed, frustrated wife of an ineffectual, unsuccessful farmer. Little by little the ennui of years on the farm work their slow poison, and Mary's despair progresses until the fateful arrival of an enigmatic and virile black servant, Moses. Locked in anguish, Mary and Moses -- master and slave -- are trapped in a web of mounting attraction and repulsion. Their psychic tension explodes in an electrifying scene that ends this disturbing tale of racial strife in colonial South Africa. The Grass Is Singing blends Lessing's imaginative vision with her own vividly remembered early childhood to recreate the quiet horror of a woman's struggle against a ruthless fate.

Love, Again is Doris Lessing's first novel since The Fifth Child in 1988. It is based around the discovery of the journals of Julie Vairon, an intelligent and lovely but wayward French girl from Martinique, brought to Provence at the end of the nineteenth century by one of her devoted lovers. Julie was a musician, a diarist, an artist, a 'free woman' ahead of her time. Nearly eighty years after her death in 1912, her music and her art illuminate the lives of the characters of Love, Again , when Sarah Durham, a theatrical producer, commissions a play based on her life. The play captivates all who come into contact with it, and dramatically changes the lives of everyone involved. For Sarah — an old woman — the change is profound; she falls in love with two younger men, one after the other, causing her to relive her own stages of growing up, from immature and infantile love (the beautiful and androgynous Bill) to the mature love, Henry.

Many will recall the powerful impact The Fifth Child, Doris Lessing's 1988 novel, made on publication. Its account of idyllic marital and parental bliss irredeemably shattered by the arrival of the feral fifth child of the Lovatts made for unnerving and compulsive reading. That child, Ben, now grown to legal maturity, is the central character of this sequel, which picks up the fable at the end of the childhood where the first book ended and takes our primal, misunderstood, maladjusted teenager out into the world, where again he meets mostly with mockery, fear and incomprehension but with just enough kindness and openness to keep him afloat as his adventures take him from London to the South of France and on to South America in his restless quest for community, companionship and peace. As in Mara and Dann, Doris Lessing in this newest book returns to a plain, unadorned prose fit for fables; again, we have a childlike perspective at the heart of the book; again, the world in all its malevolence and misapprehenison swirls around at the edge, while, occasionally, a strong character steps forward to try to stake out some values and practise some good behaviour. Again, it is one of Lessing's novels that will, I think, last most particularly as a work that imaginative teenagers of all ages will be riveted by.

This is the third in the novel-sequence Canopus in Argos: Archives . The first was Re: Colonised Planet 5, Shikasta . The second, The Marriages Between Zones Three, Four, and Five . The fourth will be The Making of the Representative for Planet 8 .

From Doris Lessing, winner of the Nobel Prize for Literature, this is the second instalment in the visionary novel cycle 'Canopus in Argos: Archives'. This is the story of the kindly Queen of Zone Three, who rules a land free of all harshness, and her forced marriage with the soldier-king of Zone Four, which is hierarchic, disciplined, inflexible, dutiful. This apparently difficult marriage, unwanted by both, requires a compromise between impulse and reason, between instinct and logic. Ben Ata learns to accept and then to love the ruler of Zone Three and her alien ways; and she learns to love and to need him. But when the Queen is commanded by the Providers to return to her own realm, she must obey, shattering though it is to leave her husband and child. Ben Ata, in turn, is ordered to marry the savage beauty who rules Zone Five, a land that both unites and reverses the other two Zones. In 'The Marriages …' Doris Lessing uses science-fiction brilliantly to investigate the conflict...

The stories and sketches in this collection penetrate to the heart of human experience with the passion and intelligence readers have come to expect of Doris Lessing. Most of the pieces are set in contemporary London, a city the author loves for its variety, its diversity, its transitoriness, the way it connects the life of animals and birds in the parks to the streets. Lessing's fiction also explores the darker corners of relationships between women and men, as in the rich and emotionally complex title story, in which she uncovers a more parlous reality behind the facade of the most conventional relationship between the sexes.

Shikasta is the first of a series of novels with the overall title Canopus in Argos: Archives. The second will be The Marriages Between Zones Three, Four, and Five. The third will be The Sirian Experiments.

From Doris Lessing, winner of the Nobel Prize for Literature, this is the first instalment in the visionary novel cycle 'Canopus in Argos: Archives'. The story of the final days of our planet is told through the reports of Johor, an emissary sent from Canopus. Earth, now named Shikasta (the Stricken) by the kindly, paternalistic Canopeans who colonised it many centuries ago, is under the influence of the evil empire of Puttiora. War, famine, disease and environmental disasters ravage the planet. To Johor, mankind is a 'totally crazed species', racing towards annihilation: his orders to save humanity set him what seems to be an impossible task. Blending myth, fable and allegory, Doris Lessing's astonishing visionary creation both reflects and redefines the history of our own world from its earliest beginnings to an inevitable, tragic self-destruction.

Дорис Лессинг (родилась в 1919 году) — прогрессивная английская писательница, автор двух романов и сборника новелл. Детство и юность провела в Южной Родезии (Юго-Восточная Африка). После окончания колледжа работала на телефонной станции, в конторах и пр. В 1950 году вышел первый роман Д. Лессинг — «Поющая трава», привлёкший внимание к молодой писательнице. Одна из основных тем её творчества — жизнь и быт негритянского населения Южной Родезии, угнетаемого белыми колонизаторами. В настоящее время Д. Лессинг живёт в Англии, участвует в движении сторонников мира, сотрудничает в прогрессивных изданиях. В прошлом году [1952] вместе с группой английских писателей побывала в Советском Союзе. (Из Предуведомления к публикации рассказа "Старый вождь Мшланга" в журнале "Новый мир".)

From the Winner of the Nobel Prize for Literature 2007, a collection of some of her finest short stories. For more than four decades, Doris Lessing's work has observed the passion and confusion of human relations, holding a mirror up to our selves in her unflinching dissection of the everyday. From the magnificent 'To Room Nineteen', a study of a dry, controlled middle-class marriage 'grounded in intelligence', to the shocking 'A Woman on the Roof', where a workman becomes obsessed with a pretty sunbather, this superb collection of stories written over four decades, from the 1950s to the 1990s bears stunning witness to Doris Lessing's perspective on the human condition.

Dann is grown up now, hunting for knowledge and despondent over the inadequacies of his civilization. With his trusted companions—Mara's daughter, his hope for the future; the abandoned child-soldier Griot, who discovers the meaning of love and the ability to sing stories; and the snow dog, a faithful friend who brings him back from the depths of despair—Dann embarks on a strange and captivating adventure in a suddenly colder, more watery climate in the north.

The second volume of Doris Lessing's extraordinary autobiography covers the years 1949-62, from her arrival in war-weary London with her son, Peter, and the manuscript for her first novel, The Grass is Singing, under her arm to the publication of her most famous work of fiction, The Golden Notebook. She describes how communism dominated the intellectual life of the 1950s and how she, like nearly all communists, became disillusioned with extreme and rhetorical politics and left communism behind. Evoking the bohemian days of a young writer and single mother, Lessing speaks openly about her writing process, her friends and lovers, her involvement in the theater, and her political activities. Walking in the Shade is an invaluable social history as well as Doris Lessing's Sentimental Education.**

Many years in the future, city life has broken down, communications have failed and food supplies are dwin-dling. From her window a middle-aged woman watches things fall apart and records what she witnesses: hordes of people migrating to the countryside, gangs of children roaming the streets. One day, a young girl, Emily, is brought to her house by a stranger and left in her care. A strange, precocious adolescent, drawn to the tribal streetlife and its barbaric rituals, Emily is unafraid of the harsh world outside, while our narrator retreats into her own hidden world where reality fades and the past is revisited...