A memoir of a family's year living in Reykjavik that "captures the fierce beauty of the Arctic landscape" (Booklist). Sarah Moss had a childhood dream of moving to Iceland, sustained by a wild summer there when she was nineteen. In 2009, she saw an advertisement for a job at the University of Iceland and applied on a whim, despite having two young children and a comfortable life in Kent, England. The resulting adventure was shaped by Iceland's economic collapse, which halved the value of her salary; by the eruption of the volcano Eyjafjallajokull; and by a collection of new friends, including a poet who saw the only bombs fall on Iceland in 1943; a woman who speaks to elves; and a chef who guided Sarah's family around the intricacies of Icelandic cuisine. Moss explored hillsides of boiling mud and volcanic craters and learned to drive like an Icelander on the unsurfaced roads that link remote farms and fishing villages in the...

Historian Anna Bennett has a book to write. She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer and a novelist of great emotional depth.About the AuthorSarah Moss is senior lecturer in Literature and Place at the University of Exeter's Cornwall Campus. She spent 2009-10 teaching creative writing and Nineteenth-Century Literature at the University of Iceland, and has a BA, MSt and DPhil from Oxford University. Her first novel Cold Earth was published by Granta in 2010. Night Waking is her second novel.

"A slim, tense page-turner . . . I gulped The Fell down in one sitting."—Emma Donoghue, author of The Pull of the StarsFrom the award-winning author of Ghost Wall and Summerwater, Sarah Moss's The Fell is a riveting novel of mutual responsibility, personal freedom, and the ever-nearness of disaster.At dusk on a November evening, a woman slips through her garden gate and turns up the hill. Kate is in the middle of a two-week mandatory quarantine period, a true lockdown, but she can't take it anymore—the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know she's stepped out. Kate planned only a quick walk—a stretch of the legs, a breath of fresh air—on paths she knows too well. But somehow she falls. Injured, unable to move, she sees that her short, furtive stroll will become a mountain rescue operation, maybe even...

Chocolate layer cake. Fudge brownies. Chocolate chip cookies. Boxes of chocolate truffles. Cups of cocoa. Hot fudge sundaes. Chocolate is synonymous with our cultural sweet tooth, our restaurant dessert menus, and our idea of indulgence. Chocolate is adored around the world and has been since the Spanish first encountered cocoa beans in South America in the sixteenth century. It is seen as magical, addictive, and powerful beyond anything that can be explained by its ingredients, and in Chocolate Sarah Moss and Alec Badenoch explore the origins and growth of this almost universal obsession.Moss and Badenoch recount the history of chocolate, which from ancient times has been associated with sexuality, sin, blood, and sacrifice. The first Spanish accounts claim that the Aztecs and Mayans used chocolate as a substitute for blood in sacrificial rituals and as a currency to replace gold. In the eighteenth century chocolate became regarded as an aphrodisiac—the first step on...

A BEST BOOK OF THE YEAR in the UK: The Guardian, The Times"Sharp, searching, thoroughly imagined, Summerwater is utterly of the moment, placing its anxious human dots against a vast, indifferent landscape; with its wit and verve and beautiful organization, it throws much contemporary writing into the shade!"—Hilary Mantel, author of The Mirror & the LightThe acclaimed author of Ghost Wall offers a new, devastating, masterful novel of subtle menaceThey rarely speak to each other, but they take notice—watching from the safety of their cabins, peering into the half-lit drizzle of a Scottish summer day, making judgments from what little they know of their temporary neighbors. On the longest day of the year, the hours pass nearly imperceptibly as twelve people go from being strangers to bystanders to allies, their attention forced into action as tragedy sneaks into their lives.At...

A poignant, funny and engrossing exploration of family life centred around a cataclysmic event and its aftermath, from the author of Night Waking and Signs for Lost Children. Adam is a stay-at-home dad who is also working on a history of the bombing and rebuilding of Coventry Cathedral. He is a good man, and he is happy. But one day he receives a call from his daughter's school to inform him that for no apparent reason, 15-year-old Miriam has collapsed and stopped breathing. In that moment he is plunged into a world of waiting, agonising, not knowing. The story of his life and the lives of his family are rewritten and retold around this shocking central event, around a body that has inexplicably failed. In this exceptionally courageous and unflinching novel of contemporary life, Sarah Moss goes where most of us wouldn't dare to look, and the result is riveting - unbearably sad but also miraculously funny and ultimately hopeful. The Tidal Zone explores parental love, overwhelming fear, illness and recovery. It is about clever teenagers and the challenges of marriage. It is about the NHS, academia, sex and gender in the 21st century, the work-life juggle and the politics of packing lunches and loading dishwashers. It confirms Sarah Moss as a unique voice in modern fiction and a writer of luminous intelligence.

Shortlisted for the Wellcome Prize for Historical FictionAward-winning author Sarah Moss's most recent work of historical fiction is a portrait of a young couple's unconventional marriage as it's tested by separate quests for identity in work and life. Set in the Victorian Age, Signs for Lost Children grapples with central themes of early feminism, mental health reform, and marriage as an imposed institution. Ally Moberly, a recently qualified doctor, never expected to marry until she met Tom Cavendish. Only weeks into their marriage, Tom sets out for Japan, leaving Ally as she begins work at the Truro Asylum in Cornwall. Horrified by the brutal attitudes of male doctors and nurses toward their female patients, Ally plunges into the institutional politics of women's mental health at a time when madness is only just being imagined as treatable. She has to contend with a longstanding tradition of permanently institutionalizing women who are deemed difficult,...