Some years ago, rocks and fire fell from the sky and the old Empire fell with them. In the lands released from that crushing hegemony, a new world order is about to emerge. Two people in particular can see all this in a wider context. In the winter palace, the King's new physician has more enemies than she at first realises. But then she also has more remedies to hand than those who wish her ill can know about. In another palace across the mountains, in the service of the regicidal Protector General, the chief bodyguard too has his enemies. But his enemies strike more swiftly, and his means of combating them are more traditional. Both the doctor and the bodyguard have at least one person they care for deeply and who cares for them. None of them, however, can risk saying so. This is the story of two stories. Spiralling round a central core of secrecy, deceit, love and betrayal — and linked more closely than even those involved can know — each climbs to its own devastating climax. Inversions is a dazzling work of science fiction from an author writing at the height of his remarkable powers.

It begins in the realm of the Real, where matter still matters. It begins with a murder. It will not end until the Culture has gone to war with death itself. Lededje Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price. To put things right she will need the help of the Culture. Benevolent, enlightened & almost infinitely resourceful tho it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful --- & arguably deranged --- warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A brutal, far-reaching war is already raging within the digital realms that store the souls of the dead & it's about to erupt into reality. It started in the realm of the Real & that is where it will end. It will touch countless lives & affect entire civilizations, but at the center of it all is a young woman whose need for revenge masks another motive altogether.

There is a world that hangs suspended between triumph and catastrophe, between the dismantling of the Wall and the fall of the Twin Towers, frozen in the shadow of suicide terrorism and global financial collapse. Such a world requires a firm hand and a guiding light. But does it need the Concern: an all-powerful organization with a malevolent presiding genius, pervasive influence and numberless invisible operatives in possession of extraordinary powers? Among those operatives are Temudjin Oh, of mysterious Mongolian origins, an un-killable assassin who journeys between the peaks of Nepal, a version of Victorian London and the dark palaces of Venice under snow; Adrian Cubbish, a restlessly greedy City trader; and a nameless, faceless state-sponsored torturer known only as the Philosopher, who moves between time zones with sinister ease. Then there are those who question the Concern: the bandit queen Mrs. Mulverhill, roaming the worlds recruiting rebels to her side; and Patient 8262, under sedation and feigning madness in a forgotten hospital ward, in hiding from a dirty past. There is a world that needs help; but whether it needs the Concern is a different matter.

Dark family secrets, a long-lost love affair and a multi-million pound gaming business lie at the heart of Iain Banks's fabulous new novel. The Wopuld family built its fortune on a board game called Empire! ? now a hugely successful computer game. So successful, the American Spraint Corp wants to buy the firm out. Young renegade Alban, who has been evading the family clutches for years, is run to ground and persuaded to attend the forthcoming family gathering ? part birthday party, part Extraordinary General Meeting ? convened by Win, Wopuld matriarch and most powerful member of the board, at Garbadale, the family's highland castle. Being drawn back into the bosom of the clan brings an inevitable and disconcerting confrontation with Alban's past. What drove his mother to take her own life? And is he yet ready to see Sophie, his beautiful, enchanting cousin and teenage love, at the EGM? Grandmother Win's revelations will radically alter Alban's perspective for ever.

'It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.' Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances...

The long-awaited and stunning new novel from the unrivalled Iain Banks

In a world renowned even within a galaxy full of wonders, a crime within a war. For one man it means a desperate flight, and a search for the one - maybe two - people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, even without knowing the full truth, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was; Djan Seriy Anaplian has changed almost beyond recognition to become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilizations throughout the greater galaxy. Concealing her new identity - and her particular set of abilities - might be a dangerous strategy, however. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter. MATTER is a novel of dazzling wit and serious purpose. An extraordinary feat of storytelling and breathtaking invention on a grand scale, it is a tour de force from a writer who has turned science fiction on its head.

In a world where one can live multiple lives, Count Alandre Sessine VIII has survived seven times and is down to his last, leaving him one final shot at finding his killer. His only clues point to a conspiracy that reaches far beyond his own murder, and survival lies in discovering other fugitives who know the truth about the ultimate weapon of chaos and salvation. Reprint.

Sharrow was once the leader of a personality-attuned combat team in one of the sporadic little commercial wars in the civilization based around the planet Golter. Now she is hunted by the Huhsz, a religious cult which believes that she is the last obstacle before the faith's apotheosis, and her only hope of escape is to find the last of the apocalyptically powerful Lazy Guns before the Huhsz find her. Her journey through the exotic Golterian system is a destructive and savage odyssey into her past, and that of her family and of the system itself.

The Scavenger species are circling. It is, truly, the End Days for the Gzilt civilization. An ancient people, organized on military principles and yet almost perversely peaceful, the Gzilt helped set up the Culture ten thousand years earlier and were very nearly one of its founding societies, deciding not to join only at the last moment. Now they've made the collective decision to follow the well-trodden path of millions of other civilizations; they are going to Sublime, elevating themselves to a new and almost infinitely more rich and complex existence. Amid preparations though, the Regimental High Command is destroyed. Lieutenant Commander (reserve) Vyr Cossont appears to have been involved, and she is now wanted - dead, not alive. Aided only by an ancient, reconditioned android and a suspicious Culture avatar, Cossont must complete her last mission given to her by the High Command. She must find the oldest person in the Culture, a man over nine thousand years old, who might have some idea what really happened all that time ago. It seems that the final days of the Gzilt civilization are likely to prove its most perilous.

The Twin Novae battle had been one of the last of the Idiran war, one of the most horrific. Desperate to avert defeat, the Idirans had induced not one but two suns to explode, snuffing out worlds & biospheres teeming with sentient life. They were attacks of incredible proportion--gigadeathcrimes. But the war ended & life went on. Now, 800 years later, light from the 1st explosion is about to reach the Masaq' Orbital, home to the Culture's most adventurous & decadent souls. There it will fall upon Masaq's 50 billion inhabitants, gathered to commemorate the deaths of the innocent & to reflect, if only for a moment, on what some call the Culture's own complicity in the terrible event. Also journeying to Masaq' is Major Quilan, an emissary from the war-ravaged world of Chel. In the aftermath of the conflict that split his world apart, most believe he has come to Masaq' to bring home Chel's most brilliant star & self-exiled dissident, the honored Composer Ziller. Ziller claims he will do anything to avoid a meeting with Quilan, who he suspects has come to murder him. But the Major's true assignment will have far greater consequences than the death of a mere political dissident, as part of a conspiracy more ambitious than even he can know--a mission his superiors have buried so deeply in his mind that even he can't remember it. Hailed by SFX magazine as "an excellent hopping-on point if you've never read a Banks SF novel before," Look to Windward is an awe-inspiring immersion into the wildly original, vividly realized civilization Banks calls the Culture.

Kate Telman is a senior executive officer in The Business, a powerful and massively discreet transglobal organisation. Financially transparent, internally democratic and disavowing conventional familial inheritance, the character of The Business seems, even to Kate, to be vague to the point of invisibility. It possesses, allegedly, a book of Leonardo cartoons, several sets of Crown Jewels and wants to buy its own State in order to acquire a seat at the United Nations. Kate's job is to keep abreast of current technological developments and her global reach encompasses Silicon Valley, a ranch in Nebraska, the firm's secretive Swiss headquarters, and a remote Himalayan principality. In the course of her journey Kate must peel away layers of emotional insulation and the assumptions of a lifetime. She must learn to keep her world at arm's length. To take control, she has to do The Business.

From Publishers WeeklyOrr, the otherwise unnamed protagonist of this Pynchonesque novel, is a successful Scottish engineer who's a bit fed up with life: his work doesn't really interest him anymore; years of doping and boozing have dulled him; his girlfriend has other lovers (he does too, but he would rather she was monogamous). Then one evening he crashes his classic Jaguar into a parked MG. The aftermath is coma and months of amnesiac trance, a condition that Orr apparently comes to prefer. The reader, however, only understands all this towards the end of the novel. Virtually the whole of the narrative consists of Orr's trauma-induced hallucinations. The bridge of the title is a fantastically ramifying construct in Orr's brain resembling an outer-space city in a science fiction movie. Banks's ( The Player of Games ) novel is satire, and its target turns out to be the British Isles' equivalent of American "yuppies." Deploying a wide range of stylistic devices, the narrative condemns fiercely an overly mechanistic society and its self-referential ethos. Copyright 1989 Reed Business Information, Inc. From Library JournalAn amnesiac searching for his past finds his life dominated by the world of "the bridge," a gigantic structure whose ends have never been seen but which contains a lost library, a host of dreams and nightmares, and the key to another reality. From the expansive, macrocosmic scale of Consider Phlebas and The Player of Games , Banks turns inward to explore the complex, surreal microcosm of the human mind in a kaleidoscopic novel for sophisticated, literary readers of speculative fiction. Recommended.-- JCCopyright 1989 Reed Business Information, Inc.

Banks presents an engrossing portrait of an alien world, and of two very different people bound by a startling and mysterious secret.On a backward world with six moons, an alert spy reports on the doings of one Dr. Vosill, who has mysteriously become the personal physician to the king despite being a foreigner and, even more unthinkably, a woman. Vosill has more enemies than she first realizes. But then she also has more remedies in hand than those who wish her ill can ever guess.Elsewhere, in another palace across the mountains, a man named DeWar serves as chief bodyguard to the Protector General of Tassasen, a profession he describes as the business of "assassinating assassins." DeWar, too, has his enemies, but his foes strike more swiftly, and his means of combating them are more direct.No one trusts the doctor, and the bodyguard trusts no one, but is there a hidden commonality linking their disparate histories? Spiraling around a central core of mystery, deceit, love, and betrayal. Inversions is a dazzling work of science fiction from a versatile and imaginative author writing at the height of his remarkable powers.

As a native of Scotland, bestselling author Iain Banks has decided to undertake a tour of the distilleries of his homeland in a bid to uncover the unique spirit of the single malt. Visiting some of the world's most famous distilleries and also some of its smallest and most obscure ones, Banks embarks on a journey of discovery which educates him about the places, people and products surrounding the centuries-old tradition of whisky production. Using various modes of transport - ferries to the islands, cars across the highlands, even bicycles between bus stops - Banks' tour of Scotland combines history, literature and landscape in an entertaining and informative account of an exploration in which the arrival is by no means the most important part of the journey.

It is 4034. Humanity has made it to the stars. Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers, will be fortunate if he makes it to the end of the year. The Nasqueron Dwellers inhabit a gas giant on the outskirts of the galaxy, in a system awaiting its wormhole connection to the rest of civilization. In the meantime, they are dismissed as decadents living in a state of highly developed barbarism, hoarding data without order, hunting their own young & fighting pointless formal wars. Seconded to a military-religious order he's barely heard of—part of the baroque hierarchy of the Mercatoria, the latest galactic hegemony— Taak has to travel again amongst the Dwellers. He is in search of a secret hidden for half a billion years. But with each day that passes a war draws closer—a war threatening to overwhelm everything & everyone he's ever known.

From Publishers WeeklyBanks received rave reviews from critics in his native England and the U.S. for his debut in The Wasp Factory. His second novel is also an extraordinary feat, terrifying and baffling, going far beyond the bounds of fiction as it's usually defined. There are really three separate stories here. The first concerns nice young Londoner Graham Park, in love with Sara ffitch (sic), whom he meets through his gay friend, Slater. The latter's wild ideas provide needed comedy in an otherwise brooding atmosphere, as Graham worries over whether he can win the mysterious Sara from her biker boyfriend. The next story tells of Steven Grout, a laborer who can't keep a job because of his disruptive temper. The paranoid Steven believes "They" are out to get him via lethal microwaves. The scene is laid in a surreal castle where two prisoners, Quiss and Ajayi, are being held for failing as soldiers in the War Against Banality and Interest. The pair, required to answer riddles to win release from this science-fiction hell, miss every time. Banks connects the entirely different events in the novel's closing pages, which reveal what happens between Graham and Sara in a scene so shocking it leaves the reader numb. February 14Copyright 1985 Reed Business Information, Inc. From Library JournalBanks's unusual novel explores the imagination's more grotesque efforts to cope with life, in three personal dilemmas. Graham Park is a young innocent in love, due to awaken to his role in an unwholesome relationship. Steven Grout is a paranoid and a betrayed warrior from another realm, exiled to our world to suffer secret microwave and laser torments as a social misfit. The elderly Quiss and Ajayi themselves are dishonored exiles of a cosmic war, fated to play bizarre games and answer an impossible riddle, in the strangest castle this side of Mervyn Peake. Banks shows a compelling ability to enter their lives. How he brings them together in a fantastic framework is somewhat less compelling. But his vision of disillusion and escape remains memorably funny and sad, like the idea of glass made real in his castle: a transparent yet only apparent solid, that slowly is puddling under the pull of gravity. Recommended. Jeff Clark, SUNY Coll. at Old Westbury Lib.Copyright 1986 Reed Business Information, Inc.

The international sensation Iain M. Banks offers readers a deeply imaginative, wittily satirical tale, proving once again that he is "a talent to be reckoned with" ("Locus"). In "Excession", the Culture's espionage and dirty tricks section orders Diplomat Byr Gen-Hofoen to steal the soul of a long-dead starship captain. By accepting the mission, Byr irrevocably plunges himself into a conspiracy: one that could either lead the universe into an age of peace or to the brink of annihilation.

Kit doesn’t know who his mother is. What he does know, however, is that his father, Guy, is dying of cancer. Feeling his death is imminent, Guy gathers around him his oldest friends – or at least the friends with the most to lose by his death. Paul – the rising star in the Labour party who dreads the day a tape they all made at university might come to light; Alison and Robbie, corporate bunnies whose relationship is daily more fractious; Pris and Haze, once an item, now estranged, and finally Hol – friend, mentor, former lover and the only one who seemed to care. But what will happen to Kit when Guy is gone? And why isn’t Kit’s mother in the picture? As the friends reunite for Guy’s last days, old jealousies, affairs and lies come to light as Kit watches on.

A European nation not unlike Bosnia: armed forces roam the lawless land where dark columns of smoke rise up from the surrounding farms and houses. The war is ending, perhaps ended. But for the castle and its occupants, a young lord and lady, the trouble is just beginning. Fearing an invasion of soldiers, the amorous couple takes to the road with the other refugees, disguised in rags. But the brutal female lieutenant of an outlaw band of guerrillas has other ideas. Just hours into their escape, the fleeing aristocrats are delivered back to the castle, where, now prisoners in their own home, they become pawns in the lieutenant's dangerous game of desire, deceit, and death. A Song of Stone demonstrates Iain Banks's unique ability to combine gripping narrative with a soaring, voyaging imagination. This noir fable confirms his reputation as the master of things dark and debauched. Singular, haunting, and viciously wry, A Song of Stone is a tour de force of contemporary fiction.

Eighteen-year-old Kit is weird: big, strange, odd, socially disabled, on a spectrum that stretches from "highly gifted" at one end, to "nutter" at the other. At least Kit knows who his father is; he and Guy live together in a decaying country house on the unstable brink of a vast quarry. His mother's identity is another matter. Now, though, his father's dying, and old friends are gathering for one last time."Uncle" Paul's a media lawyer now; Rob and Ali are upwardly mobile corporate bunnies; pretty, hopeful Pris is a single mother; Haze is still living up to his drug-inspired name twenty years on; and fierce, protective Hol is a gifted if acerbic critic. As young film students they lived at Willoughtree House with Guy, and they've all come back because they want something. Kit, too, has his own ulterior motives. Before his father dies he wants to know who his mother is, and what's on the mysterious tape they're all looking for. But most of all he wants to stop time and...

The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game...a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life - and very possibly his death. Praise for Iain M. Banks: "Poetic, humorous, baffling, terrifying, sexy -- the books of Iain M. Banks are all these things and more" -- NME "An exquisitely riotous tour de force of the imagination which writes its own rules simply for the pleasure of breaking them." -- Time Out

Hisako Onoda, world famous cellist, refuses to fly. And so she travels to Europe as a passenger on a tanker bound through the Panama Canal. But Panama is a country whose politics are as volatile as the local freedom fighters. When Hisako's ship is captured, it is not long before the atmosphere is as flammable as an oxy-acetylene torch, and the tension as sharp as the spike on her cello...CANAL DREAMS is a novel of deceptive simplicity and dark, original power: stark psychological insights mesh with vividly realised scenarios in an ominous projection of global realpolitik. The result is yet another major landmark in the quite remarkable career of an outstanding modern novelist.From Publishers WeeklyBecause she is afraid to fly during a time of international tensions, famous Japanese cellist Hisako Onoda boards a tanker en route to her concert in Rotterdam. When a conflict erupts and the Panama Canal is closed, the ship is forced to drop anchor in Gatun Lake. A guerrilla faction takes the passengers and crew captive, Hisako is raped, and we watch as the sensitive musician metamorphoses into a grenade-toting avenging warrior. This stunning, hallucinatory, semi-surreal fable pits an artistic, precariously balanced sensibility against a world of brutal political forces. Among the ship's passengers, all taken hostage by the People's Liberation Front, are a South African engineer, an erudite Egyptian and Hisako's wimpy young French boyfriend. Banks ( The Wasp Factory ) doesn't do much with these characters. His wrenching story, which can be read as a parable of the feminine principle reasserting itself and taking revenge on earth-destroying males, derives its power from the exploration of Hisako's mental states, her violent nightmares and her flashbacks to Japan, where she became a prodigy, strove to please her mother and missed a father she never knew, dead from radiation sickness in the aftermath of Hiroshima. Copyright 1991 Reed Business Information, Inc. From Library JournalStranded in Panama during an international crisis, cellist Hisako Onodo witnesses the death of her French lover at the hands of terrorists and brings her hitherto untested powers of will and desperation to bear in a one-woman vendetta. Set in the near future, the latest novel by the author of The Bridge ( LJ 4/15/89) grows in intensity as its heroine divests herself of everything except for her desire for revenge. Not quite sf but more than realism, this tale of obsession should be considered by libraries that can afford to go beyond their priority lists.Copyright 1991 Reed Business Information, Inc.

The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath.Meet Frank Cauldhame. Just sixteen, and unconventional to say the least: Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through.

The first ever collection of Iain Banks' short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks' staggering talent.

Daniel Weir used to be a famous - not to say infamous - rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone. As he contemplates his life, Daniel realises he only has two problems: the past and the future. He knows how bad the past has been. But the future - well, the future is something else.

The Scavenger species are circling. It is, truly, the End Days for the Gzilt civilization. An ancient people, organized on military principles and yet almost perversely peaceful, the Gzilt helped set up the Culture ten thousand years earlier and were very nearly one of its founding societies, deciding not to join only at the last moment. Now they've made the collective decision to follow the well-trodden path of millions of other civilizations; they are going to Sublime, elevating themselves to a new and almost infinitely more rich and complex existence. Amid preparations though, the Regimental High Command is destroyed. Lieutenant Commander (reserve) Vyr Cossont appears to have been involved, and she is now wanted—dead, not alive. Aided only by an ancient, reconditioned android and a suspicious Culture avatar, Cossont must complete her last mission given to her by the High Command. She must find the oldest person in the Culture, a man over nine thousand years old, who might have some idea what really happened all that time ago. It seems that the final days of the Gzilt civilization are likely to prove its most perilous.

Cheradenine is an ex-"special circumstance" agent who had been raised to eminence by a woman named Diziet. Skaffen-Amtskaw, the drone, had saved her life and it believes Cheradenine to be a burnt-out case. But not even its machine intelligence can see the horrors in his past.

The Culture — a human/machine symbiotic society — has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game … a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life — and very possibly his death.

Daniel Weir used to be a famous — not to say infamous — rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted — and who can blame them? And now Daniel Weir is all alone. As he contemplates his life, Daniel realises he only has two problems: the past and the future. He knows how bad the past has been. But the future — well, the future is something else.

Graham Park is in love.  But Sara Ffitch is an enigma to him, a creature of almost perverse mystery.  Steven Grout is paranoid - and with justice.  He knows that They are out to get him.  They are.  Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games.  The solution to the oldest of all paradoxical riddles will release him.  But he must find an answer before he knows the question. Park, Grout, Quiss - no trio could be further apart.  But their separate courses are set for collision... "A feast of horrors, variously spiced with incest, conspiracy, and cheerful descriptions of torture... fine writing" The Times "The author's powerful imagination is displayed again here every bit as vividly as in his debut" Financial Times "Establishes beyond doubt that lain Banks is a novelist of remarkable talents" Daily Telegraph

Two and a half millennia ago, the artifact appeared in a remote corner of space, beside a trillion-year old dying sun from a different univese. It was a perfect black-body sphere, and it did nothing. Then it disappeared. Now it is back. Silent, motionless, and resisting all efforts to make contact, the artifact waits. The Culture ships, however, cannot. For the artifact is something they need to understand first, before it falls into less understanding hands — and triggers a political and military crisis which will threaten everything the Culture has achieved. One person who saw the artifact when it first appeared may have information concerning its purpose, but she is living out her death in the immense Eccentric ship, the Sleeper Service . The Culture ships formulate a plan to retrieve her. The Sleeper Service has other things on its mind. A novel of extraordinary imagination, richness and energy, Excession is Iain M. Banks at his magnificent best.

n. 1. the fact of being an accomplice, esp. in a criminal act A few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source — could be big, could be very big — in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully-paid-up Gonzo hack on an Edinburgh newspaper. The source is pretty thin, but Cameron senses a scoop and checks out a series of bizarre deaths from a few years ago — only to find that the police are checking out a series of bizarre deaths that are happening right now. And Cameron just might know more about it than he'd care to admit… Involvement; connection; liability — Complicity is a stunning exploration of the morality of greed, corruption and violence, venturing fearlessly into the darker recesses of human purpose. 'A remarkable novel… superbly Grafted, funny and intelligent" Times 'A stylishly executed and well produced study in fear, loathing and victimisation which moves towards doom in measured steps" Observer 'Compelling and sinister… a very good thriller" Glasgow Herald 'Fast moving… tightly plotted" Sunday Times

A little knowledge can be a very dangerous thing… Innocent in the ways of the world, an ingénue when it comes to pop and fashion, the Elect of God of a small but committed Stirlingshire religious cult: Isis Whit is no ordinary teenager. When her cousin Morag - Guest of Honour at the Luskentyrian's four-yearly Festival of Love - disappears after renouncing her faith, Isis is marked out to venture among the Unsaved and bring the apostate back into the fold. But the road to Babylondon (as Sister Angela puts it) is a treacherous one, particularly when Isis discovers the Morag appears to have embraced the ways of the Unsaved with spectacular abandon … Truth and falsehood; kinship and betrayal; 'herbal' cigarettes and compact discs - Whit is an exploration of the techno-ridden barrenness of modern Britain from a unique perspective. 'Fierce contemporaneity, an acrobatic imagination, social comment, sardonic wit ... the peculiar sub-culture of cult religion is a natural for Banks, and Luskentyrianism is a fine creation' The Times 'One of the most relentlessly voyaging imaginations around' Scotsman 'Banks is a phenomenon ...I suspect we have actual laws against this sort of thing, in the United States, but Iain Banks, whether you take him with the "M" or without, is currently a legal import' William Gibson 'Entertaining ... comically inspired' Guardian

Iain Banks' daring new novel opens in a loft apartment in the East End, in a former factory due to be knocked down in a few days. Ken Nott is a devoutly contrarian vaguely left wing radio shock-jock living in LondonAfter a wedding breakfast people start dropping fruits from a balcony on to a deserted carpark ten storeys below, then they start dropping other things; an old TV that doesn't work, a blown loudspeaker, beanbags, other unwanted furniture…Then they get carried away and start dropping things that are still working, while wrecking the rest of the apartment. But mobile phones start ringing and they're told to turn on a TV, because a plane has just crashed into the World Trade Centre. At ease with the volatility of modernity, Iain Banks is also our most accomplished literary writer of narrative-driven adventure stories that never ignore the injustices and moral conundrums of the real world. His new novel, displays his trademark dark wit, buoyancy and momentum. It will be one of the most important novels of 2002.

The Culture is a far-future society of seemingly limitless resources and infinite technological possibilities. Yet the Culture is far from perfect, and it is still subject to brutal wars, political upheaval and intrusions from beyond the edges of known space. With extraordinary imaginative scope and storytelling prowess, Iain M. Banks’ new Culture novel will be one of the most highly anticipated SF novels of the year.

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

Who Do You Work For? The Business, a nearly omnipotent enterprise, is so infinitely discreet that even its top executives are vague about its actual business. It predates the Christian church and counts among its vast riches dozens of Michelangelo's pornographic paintings and several sets of Crown jewels. The only thing it lacks is political clout, a problem the Business plans to solve by buying a nation and joining the United Nations. Kate Telman, the Business's foremost expert on emerging technologies, is chosen to lead the effort. As this beautiful, ambitious American woman pursues the ultimate prize for her highly secretive transglobal employer, Iain Banks -- whom The Times of London calls "the most imaginative British novelist of his generation" -- offers a portrait of today's ubiquitous multinational corporations. Already a bestseller in England, The Business paints a picture that is at once wickedly satirical and frighteningly familiar.

A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before? 'Iain Banks of THE WASP FACTORY eclipses that sensational debut...a real dazzler' Daily Mail 'Great artistry, great virtuosity ... great exuberance' New Statesman 'This one's his best yet' New Musical Express 'THE BRIDGE is serious, but playful; it is full of throwaway jokes, minor tangles for the reader to sort out, political/cultural references to the kind of reality that rarely gets into British literature, and nuggets of surprising truth juxtaposed with outrageous lies... convincing in a way too little fantasy or mainstream literature is' City Limits

It was one of the less glorious incidents of the Idiran wars that led to the destruction of two suns and the billions of lives they supported. Now, 800 years later, the light from the first of those deaths has reached the Culture’s Masaq’ Orbital. A Chelgrian emissary is dispatched to the Culture.

The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction; coldblooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principals were at stake. There could be no surrender. Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction. Consider Phlebas — a space opera of stunning power and awesome imagination from one of the most talented writers of his generation.

A new novel from the author of CANAL DREAMS and THE WASP FACTORY, which explores the subjects of God, sex, death, Scotland, and motor cars.

Hisako Onoda, world famous cellist, refuses to fly. And so she travels through the Panama Canal as a passenger on a tanker bound for Europe. But Panama is a country whose politics are as volatile as the local freedom fighters. When Hisako's ship is captured, it is not long before the atmosphere is as flammable as an oxy-acetylene torch, and the tension as sharp as the spike on her cello… 'Apocalyptic is the first word that springs to mind to describe this violent and powerful novel in which Banks once again demonstrates his extraordinary dark powers of imagination… impressive' The Times 'Brilliantly crafted' Scotsman 'Currents of dark wit swirl through Banks' writing, enriching its buoyancy… and, like Graham Greene, he can readily open the reader's senses to the «foreignness» of places' Scotland on Sunday 'Extraordinary, brilliant, bloody' Fay Weldon