From the universally admired, award-winning author of Waiting and The Boat Rocker, an urgent, timely novel that follows a famous Chinese singer severed from his country as he works to find his way in the United States.After popular singer Yao Tian takes a private gig in New York at the end of a tour with his state-supported choir, expecting to pick up some extra cash for his daughter's tuition fund, the consequences of his choice spiral out of control. On his return to China, he is informed that the sponsors of the event were in support of Taiwan's secession and that he must deliver a formal self-criticism. When he is asked to forfeit his passport to his employer, he impulsively decides instead to return to New York to protest the government's threat to his artistic integrity. With the help of his old friend, Yabin, Tian's career begins to flourish in the United States. Soon placed on a government blacklist and thwarted...

Through the life of a remarkable woman—based on pioneering stage director Sun Weishi (1921–1968)—this epic novel immerses us in the multifaceted history of China’s Communist Party. A powerful, insightful account from the National Book Award–winning author, who came of age during the Cultural Revolution.As a promising young actress, Sun Weishi made the critical decision to pursue her studies in Moscow—with the blessing of her influential adoptive father, Zhou Enlai, and Mao himself. The valuable insights she gained there during World War II, most notably the significance of characters' inner lives, would enable her to excel back in China, where she produced works by Chekhov and Gogol, and other socially progressive dramas, such as an adaptation of Uncle Tom's Cabin. Her striking career as China's first female director of modern spoken drama (Huaju) would be derailed with the advent of the...

From the National Book Award-winning author of Waiting: a narratively driven, deeply human biography of the Tang dynasty poet Li Bai—also known as Li PoIn his own time (701–762), Li Bai's poems—shaped by Daoist thought and characterized by their passion, romance, and lust for life—were never given their proper due by the official literary gatekeepers. Nonetheless, his lines rang out on the lips of court entertainers, tavern singers, soldiers, and writers throughout the Tang dynasty, and his deep desire for a higher, more perfect world gave rise to his nickname, the Banished Immortal. Today, Bai's verses are still taught to China's schoolchildren and recited at parties and toasts; they remain an inextricable part of the Chinese language.With the instincts of a master novelist, Ha Jin draws on a wide range of historical and literary sources to weave the great poet's life story. He follows Bai from his origins on the western frontier to his...

A New York Times Notable BookA Washington Post, Los Angeles times, and San Jose Mercury News Best Book of the YearHa Jin’s seismically powerful new novel is at once an unblinking look into the bell jar of communist Chinese society and a portrait of the eternal compromises and deceptions of the human state. When the venerable professor Yang, a teacher of literature at a provincial university, has a stroke, his student Jian Wan is assigned to care for him. Since the dutiful Jian plans to marry his mentor’s beautiful, icy daughter, the job requires delicacy. Just how much delicacy becomes clear when Yang begins to rave.Are these just the outpourings of a broken mind, or is Yang speaking the truth—about his family, his colleagues, and his life’s work? And will bearing witness to the truth end up breaking poor Jian’s heart? Combining warmth and intimacy with an unsparing social vision, The Crazed is Ha Jin’s most enthralling book to date.From the Trade Paperback edition.Amazon.com ReviewSet during the Tiananmen Square uprising of 1989, The Crazed, a novel from Ha Jin, the award-winning author of the bestseller Waiting, unites a prominent Chinese university professor who suffers a brain injury and Jien Wen, a favorite student and future son-in-law who becomes his caretaker. As Professor Yang rants about his earlier life, his bizarre outbursts begin to strike Jien as containing some truth and, considering the uncertain times, he puzzles over their meaning. When Jien realizes that his additional responsibilities make sitting for his Ph.D. exams impossible, Meimei, his fiancée, promptly discards him, branding him as unloving, since passing the exams would have ensured they would both have attended graduate school in Beijing. Unmoored from the university, and unconnected to anything else, Jien joins the student movement and as a result becomes a police suspect. Problematic to the plot is that Meimei is hardly warm to Jien; their relationship never appears to be anything but doomed. The professor's hallucinatory diatribes comprise the bulk of the novel, and initially it seems unlikely that a story will ever evolve from these ramblings. But with Yang indisposed, minor characters from the university conspire to devise means to further their personal agendas. A mystery results, as university and literature department personnel plot to have someone other than Jien marry Meimei. Jin's prose is succinct, but the most interesting parts of Jien's life occur, unfortunately, at the end of the book, leaving readers who fell for Waiting wanting more. --Michael FerchFrom Publishers WeeklyOn the day after the Tiananmen Square massacre of 1989, Jian Wan, the narrator of Ha Jin's powerful new novel, comes upon two weeping students. "I'm going to write a novel to fix all the fascists on the page," says one of them. The other responds, "yes... we must nail them to the pillory of history." Ha's novel is written in the conviction that writers don't nail anyone to anything: at best, they escape nailing themselves. Jian is a graduate student in literature at provincial Shanning University. In the spring of 1989, his adviser, Professor Yang, suffers a stroke, and Jian listens as the bedridden Yang raves about his past. Yang's bitterness about his life under the yoke of the Communist Party infects Jian, who decides to withdraw from school. His fiancee Professor Yang's daughter, Meimei breaks off their engagement in disgust, but Jian is heartened by a trip into the countryside, after which he decides that he will devote himself to helping the province's impoverished peasants. His plan is to become a provincial official, but the Machiavellian maneuverings of the Party secretary of the literature department a sort of petty Madame Mao cheat him of this dream, sending him off on a hapless trip to Beijing and Tiananmen Square. Despite this final quixotic adventure, Ha's story is permeated by a grief that won't be eased or transmuted by heroic images of resistance. Jian settles for shrewd, small rebellions, to prevent himself from becoming "just a piece of meat on a chopping board." Like Gao Xingjian, Ha continues to refine his understanding of politics as an unmitigated curse.Copyright 2002 Reed Business Information, Inc.

From the universally admired, award-winning author of Waiting and War Trash: an urgent, timely novel that follows an aspiring author, an outrageous book idea, and a lone journalist's dogged quest for truth in the Internet age. New York, 2005. Chinese expatriate Feng Danlin is a fiercely principled reporter at a small news agency that produces a website read by Chinese all over the world. Danlin's explosive exposés have made him legendary among readers—and feared by Communist officials. But his newest assignment may be his undoing: investigating his ex-wife, Yan Haili, an unscrupulous novelist who has willingly become a pawn of the Chinese government in order to realize her dreams of literary stardom. Haili's scheme infuriates Danlin both morally and personally—he will do whatever it takes to expose her as a fraud. But in outing Haili, he is also provoking her powerful political allies, and he will need to draw on all of his...

National Book Award-winner Ha Jin's arresting debut novel , In the Pond, is a darkly funny portrait of an amateur calligrapher who wields his delicate artist's brush as a weapon against the powerful party bureaucrats who rule his provincial Chinese town.Shao Bin is a downtrodden worker at the Harvest Fertilizer Plant by day and an aspiring artist by night. Passed over on the list to receive a decent apartment for his young family, while those in favor with the party's leaders are selected ahead of him, Shao Bin chafes at his powerlessness. When he attempts to expose his corrupt superiors by circulating satirical cartoons, he provokes an escalating series of merciless counterattacks that send ripples beyond his small community. Artfully crafted and suffused with earthy wit, In the Pond is a moving tale about humble lives caught up in larger social forces.

Winner of the Flannery O'Connor Award for short fiction, Under the Red Flag features twelve stories which take place during China's Cultural Revolution--stories which display the earnestness and grandeur of human folly and, in a larger sense, form a moral history of a time and a place.From Kirkus ReviewsA peek behind the Bamboo Curtain, where Chinese poet Ha Jin, winner of the latest Flannery O'Connor Award, works out the conflicts between tradition and constraint that animate his second collection (after Ocean of Words, 1996). Ha Jin, who writes in English, is a Chinese veteran of the People's Liberation Army and, although he doesn't address political dissidence directly in his work, the 12 stories here all contain that undercurrent of cynicism in the face of authority that's common to military (as well as Communist) societies. Thus, the soldier of A Man-to-Be,'' who holds back from taking part in a gang-rape, not only finds himself defensive about his own manliness but is eventually shunned by his fianc‚e's family, who doubt his ability to father children, whereas the hooligan boys who terrorize their fellow classmates inEmperor'' discover that their popularity and status increase ever higher with each new atrocity they perpetrate. The abiding tensions of peasant life prove themselves again and again to be deeper than the Party's ideal of the New Communist Man, as in New Arrival'' (where a childless couple refuses to adopt a beloved young boy entrusted to their care because of their fear of bad luck) orFortune'' (in which an old man's faith in fortune-telling remains so absolute that he becomes willfully deluded rather than admit that his life has been ruined). Honor remains a powerful primordial force as well, best illustrated in the predicament of the dutiful Party member who disobeys his dying mother's wish for a traditional funeral and is promptly denounced by his comrades for filial impiety; or in the public degradation of a prostitute (``In Broad Daylight''), which, however harrowing, remains a less vivid spectacle than the degradation of her accusers. Splendidly fluid and clear: Ha Jin has managed to make an utterly alien world seem as familiar as an old friend. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.Review"Ha Jin's Dismount Fort teems with vivid life and people who grow ever less strange as their struggles unfold. An exotic subject matter helps, but narrative talent proves victorious." -- Time Magazine"Splendidly fluid and clear: Ha Jin has managed to make an utterly alien world seem as familiar as an old friend." -- *Kirkus Reviews"Ha Jin is a master satirist, not so much of Chinese politics as of the human psyche when it's being twisted and pummeled by some higher authority." -- *The Chicago Tribune"[Ha Jin] infuses his tales with unforgettable characters who are grappling with questions of honor and shame, passion vs. respectability." -- *San Jose Mercury News"Mr. Jin's haunting portraits of life in China, particularly during the Cultural Revolution of the 1960s and 1970s, are shattering conventional expectations of what it is to be a "Chinese writer," and at the same time attracting torrents of praise." -- The Asian Wall Street Journal 

From the remarkable Ha Jin, winner of the National Book Award for his celebrated novel Waiting, a collection of comical and deeply moving tales of contemporary China that are as warm and human as they are surprising, disturbing, and delightful.In the title story, the head of security at a factory is shocked, first when the hansomest worker on the floor proposes marriage to his homely adopted daughter, and again when his new son-in-law is arrested for the "crime" of homosexuality. In "After Cowboy Chicken Came to Town," the workers at an American-style fast food franchise receive a hilarious crash course in marketing, deep frying, and that frustrating capitalist dictum, "the customer is always right."Ha Jin has triumphed again with his unforgettable storytelling in The Bridegroom.Amazon.com ReviewIt's the little things that kill us, as that master of the miniature Ha Jin well knows. Not oppression in general, but the tea thrown at us by railroad policemen; not failure, but the old flame who fails to visit; not grief, but the peanuts our kindergarten teacher stole from our pockets. In The Bridegroom, such moments run surprisingly deep, as if they traced the grooves history has left on individual hearts. The book's 12 tales capture a China in transition, en route from Maoism to market-friendly socialism, from isolation to increasing contact with the West. "I never thought money could make so much difference," says the narrator of "An Entrepreneur's Story," who's been transformed from black-market lowlife to new-economy hero. He wins respect and gets the girl, but it all feels too easy somehow, and he revenges himself by lighting his kerosene stove with bank notes. Other characters navigate this sea change with similar bewilderment. The professor mistaken for "The Saboteur" thinks news articles about the end of the cultural revolution mean he can reason with the police (wrong!), while the bridegroom of the title story is hauled off to jail for so-called hooliganism rooted in "Western capitalism and bourgeois lifestyle"--that is, loving other men. "What a wonderful husband he could have been if he were not sick," his father-in-law thinks. In the story that deals most explicitly with the conflict between East and West, an American chain named Cowboy Chicken sets up shop in Muji City. The new order isn't that different from the old one, thinks one of the Chinese workers: "We nicknamed Mr. Shapiro 'Party Secretary,' because just like a Party boss anywhere he didn't do any work. The only difference was that he didn't organize political studies or demand we report to him our inner thoughts." In the end, as often happens, greed begets revolution--but whose greed? When the workers at Cowboy Chicken go on strike, jealous of one of their coworker's paychecks, they're replaced by an African American woman who teaches English at a nearby college and her students, who sing "We Shall Overcome" while they wipe tables. But as in Jin's National Book Award-winning novel, Waiting, even the broadest political and cultural ironies are painted with an extraordinarily light-handed brush. Despite their apparent simplicity, these stories run deep; it's as if some 19th century master had wandered into our midst, writing prose whose unruffled surface recalls the virtues of the very long view. Like Chekhov, another great miniaturist and the writer he most resembles, Jin understands that humor is compassion, that a well-honed appreciation for the absurd is sometimes the best and most honest way to honor failed lives. While his characters attempt to balance the needs of the self and the demands of the state, we see less what is foreign to us than what is native to the human heart. --Mary ParkFrom Publishers WeeklyIt's difficult to think of another writer who has captured the conflicting attitudes and desires, and the still-changing conditions of daily life, of post-Cultural Revolution China as well as Ha Jin does in his second collection, which follows his NBA-winning novel, Waiting. These 12 stories attain their significant cumulative effect through spare prose penetrated by wit, insight and a fine sense of irony. One realizes in reading them that while human nature is universal, China's cultural and political repression exacerbates such traits as fear of authority (and the desire to circumvent it), male chauvinism and suspicion of outsiders. In "The Woman from New York," a young wife and mother who goes to the States for four years finds, on her return to Muji City (where most of these tales are set), that her child, her marriage, her job and her honor are forever lost. American business methods clash with Chinese traditions in "After Cowboy Chicken Came to Town," in which Chinese workers' anger about the behavior of their boss, Mr. Shapiro, is redoubled when they discover one of their own countrymen practicing the strange ethics of capitalism. Such varied protagonists as college professors, a factory worker, a horny cadre member, two uneducated peasants and a five-year-old girl illustrate the ways in which hardship, lack of living space, inflexible social rules and government quotas thwart happiness. The title story is perhaps the most telling indication of the clash of humanitarian feeling and bureaucratic intervention. The protagonist, who has been taught to believe that "homosexuality... originated in Western capitalism and bourgeois lifestyle," is unable to credit his own sympathy for his son-in-law, who is sent to a mental hospital to cure his "disease." Ha Jin has a rare empathy for people striving to balance the past and the future while caught on the cusp of change. (Oct.) Copyright 2000 Reed Business Information, Inc.

From Publishers WeeklyHa Jin, who emigrated from China in the aftermath of Tiananmen Square, had only been writing in English for 12 years when he won the National Book Award for Waiting in 1999. His latest novel sheds light on an émigré writer's woodshedding period. It follows the fortunes of Nan Wu, who drops out of a U.S. grad school after the repression of the democracy movement in China, hoping to find his voice as a poet while supporting his wife, Pingping, and son, Taotao. After several years of spartan living, Nan and Pingping save enough to buy a Chinese restaurant in suburban Atlanta, setting up double tensions: between Nan's literary hopes and his career, and between Nan and Pingping, who, at the novel's opening, are staying together for the sake of their young boy. While Pingping grows more independent, Nan—amid the dulling minutiae of running a restaurant and worries about mortgage payments, insurance and schooling—slowly snuffs the torch he carries for his first love. That Nan at one point reads Dr. Zhivago isn't coincidental: while Ha Jin's novel lacks Zhivago's epic grandeur, his biggest feat may be making the reader wonder whether the trivialities of American life are not, in some ways, as strange and barbaric as the upheavals of revolution. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks MagazineSince emigrating from China to America in the 1980s to study literature, Ha Jin has become one of the most celebrated voices in American literature. A Free Life is his first "American" book, a "Chekhovian portrait of life and its soothing dailiness" (Vikram Johri) that explores the meaning of a truly free life. Critics often comment on the author’s lyricism and the fluidity of his prose (interestingly, one reviewer notes a connection between Jin and John Steinbeck, while another noted a deficiency in prose). Although rarely plot-driven, Jin’s novels instead unfold slowlyâ€"like life itself. A Free Life offers the greatest reward to those who read with patience and in quiet contemplation, absorbing the author’s passion for language.Copyright © 2004 Phillips & Nelson Media, Inc.

Ha Jin’s masterful new novel casts a searchlight into a forgotten corner of modern history, the experience of Chinese soldiers held in U.S. POW camps during the Korean War. In 1951 Yu Yuan, a scholarly and self-effacing clerical officer in Mao’s “volunteer” army, is taken prisoner south of the 38th Parallel. Because he speaks English, he soon becomes an intermediary between his compatriots and their American captors.With Yuan as guide, we are ushered into the secret world behind the barbed wire, a world where kindness alternates with blinding cruelty and one has infinitely more to fear from one’s fellow prisoners than from the guards. Vivid in its historical detail, profound in its imaginative empathy, War Trash is Ha Jin’s most ambitious book to date.From the Trade Paperback edition.From Publishers WeeklyJin (Waiting; The Crazed; etc.) applies his steady gaze and stripped-bare storytelling to the violence and horrifying political uncertainty of the Korean War in this brave, complex and politically timely work, the story of a reluctant soldier trying to survive a POW camp and reunite with his family. Armed with reams of research, the National Book Award winner aims to give readers a tale that is as much historical record as examination of personal struggle. After his division is decimated by superior American forces, Chinese "volunteer" Yu Yuan, an English-speaking clerical officer with a largely pragmatic loyalty to the Communists, rejects revolutionary martyrdom and submits to capture. In the POW camp, his ability to communicate with the Americans thrusts him to the center of a disturbingly bloody power struggle between two factions of Chinese prisoners: the pro-Nationalists, led in part by the sadistic Liu Tai-an, who publicly guts and dissects one of his enemies; and the pro-Communists, commanded by the coldly manipulative Pei Shan, who wants to use Yu to save his own political skin. An unofficial fighter in a foreign war, shameful in the eyes of his own government for his failure to die, Yu can only stand and watch as his dreams of seeing his mother and fiancée again are eviscerated in what increasingly looks like a meaningless conflict. The parallels with America's current war on terrorism are obvious, but Jin, himself an ex-soldier, is not trying to make a political statement. His gaze is unfiltered, camera-like, and the images he records are all the more powerful for their simple honesty. It is one of the enduring frustrations of Jin's work that powerful passages of description are interspersed with somewhat wooden dialogue, but the force of this story, painted with starkly melancholy longing, pulls the reader inexorably along. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From The New YorkerHa Jin's new novel is the fictional memoir of a Chinese People's Volunteer, dispatched by his government to fight for the Communist cause in the Korean War. Yu Yuan describes his ordeal after capture, when P.O.W.s in the prison camp have to make a wrenching choice: return to the mainland as disgraced captives, or leave their families and begin new lives in Taiwan. The subject is fascinating, but in execution the novel often seems burdened by voluminous research, and it strains dutifully to illustrate political truisms. In a prologue, Yuan claims to be telling his story in English because it is "the only gift a poor man like me can bequeath his American grandchildren." Ha Jin accurately reproduces the voice of a non-native speaker, but the labored prose is disappointing from an author whose previous work—"Waiting" and "Ocean of Words"—is notable for its vividness and its emotional precision. Copyright © 2005 The New Yorker

In the bold tradition of the "Misty Poets," Ha Jin confronts China's fraught political history while paying tribute to its rich culture and landscape. The poems of A Distant Center speak in a voice that is steady and direct, balancing contemplative longing with sober warnings from a writer who has confronted the traumas of censorship and state violence. With unadorned language and epigrammatic wit, Jin conjures scenes that encompass the personal, historical, romantic, and environmental, interrogating conceptions of foreignness and national identity as they appear and seep into everyday interactions and being. These are poems that offer solace in times of political reaction and uncertainty. Jin's voice is wise, comforting, and imploring; his words are necessary and his lessons are invaluable. Question your place in the world—do not be complacent—look for strength and hope in every nook: "Keep in mind the meaning of / your existence: wherever you land, / your footprints...

Winner of the PEN/Hemingway AwardThe place is the chilly border between Russia and China. The time is the early 1970s when the two giants were poised on the brink of war. And the characters in this thrilling collection of stories are Chinese soldiers who must constantly scrutinize the enemy even as they themselves are watched for signs of the fatal disease of bourgeois liberalism.In Ocean of Words, the Chinese writer Ha Jin explores the predicament of these simple, barely literate men with breathtaking concision and humanity. From amorous telegraphers to a pugnacious militiaman, from an inscrutable Russian prisoner to an effeminate but enthusiastic recruit, Ha Jin's characters possess a depth and liveliness that suggest Isaac Babel's Cossacks and Tim O'Brien's GIs. Ocean of Words is a triumphant volume, poignant, hilarious, and harrowing."A compelling collection of stories, powerful in their unity of theme and rich in their diversity of...