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Evan Walls is terrified by the birth of his first child because he doesn't want her to suffer the isolation he had as a child. Seeing his torment, his wife, Izzy, prods him to explain. He tells of being a black child growing up in the racially charged 1960s.

Powerful True Story of a Twentieth-Century Plantation SlaveOver fifty years after the Emancipation Proclamation, Robert Sadler was sold into slavery at the age of five--by his own father. This is the no-holds-barred tale of those dark days, his quest for freedom, and the determination to serve others born out of his experience. It is a story of good triumphing over evil, of God's grace, and of an extraordinary life of ministry. An updated edition of a classic title.

I am a monster. A sexual deviant. A gorger for pain. I am Worthless William Welch.But I am hers…Ten years since Welch has seen Gwendolyn, he finds himself in Portland, the same city they were supposed to live together; just two bloody lovers against the ghastly ways of the world. But that isn’t how their story would pan out, and Welch troubles himself everyday with memoirs of the only one that will have his heart.His sweet, sweet girl. Fiery Gwendolyn is gone and he is alone with nothing to occupy him except memories.As he tries to grasp onto the recollections while simultaneously forgetting the pain he was bathed in for so long, he searches for a woman that will give him the agony he so desperately craves. You know what they say… be careful what you wish for.As Welch pushes an unlikely woman to the brink, he is surprised at her eagerness as she gives him what he longs for. Punishment, pain, and pleasure. He becomes enveloped by the demons of his past, the torment of his current, and the ghost in his mind that he refuses to part from.Reverted back to the dysfunctional little boy who obeys, Welch finds himself in a disastrous cycle while the edge of goodness is within reach. Will it be too late for him to find love before he breaks himself down to a point of no return?

fiction ; prose, Women Writers

How far would a son go to belong? And how far would a father go to protect him? With his curly black hair and his wicked grin, everyone swoons and thinks of Frank Sinatra when Navy musician Jackson Lewis takes the stage. It's World War II, and while stationed in St. John's, Newfoundland, Jack meets the well-heeled, romantic Vivian Clift, a local girl who has never stepped off the Rock and is desperate to see the world. They marry against Vivian's family's wishes--hard to say what it is, but there's something about Jack that they just don't like--and as the war draws to a close, the new couple travels to Windsor to meet Jack's family.But when Vivian meets Jack's mother and brother, everything she thought she knew about her new husband gets called into question. They don't live in the dream home that Jack depicted, they all look different from one another--and different from anyone Vivian has ever seen--and after weeks of waiting to meet Jack's father, William Henry, he never materializes. Steeped in jazz and big-band music, spanning pre- and post-war Windsor-Detroit, St. John's, Newfoundland, and 1950s Toronto, this is an arresting, heartwrenching novel about fathers and sons, love and sacrifice, race relations and a time in our history when the world was on the cusp of momentous change.Review“A stellar debut. This literary novel is set in the heart of the big-band era…. The music swings. So does the story. Though Grady portrays the complexities of race and racial politics, there's nothing overtly didactic here. It's a novel of ideas that succeeds precisely because it's also a good story.” —Winnipeg Free Press"This finely wrought novel navigates the complexities of love, race, and loyalties of choice. With a deft hand, Grady convinces us that whatever appearances may suggest, nothing is ever black and white." —Vincent Lam, author of The Headmaster’s Wager and Bloodletting and Miraculous Cures“A haunting, memorable, believable portrait of a man so desperate to deny his heritage that he imperils his very soul.” —Lawrence Hill, author of The Book of Negroes“A brave book to challenge every reader's thinking on race, family, fear, and love. Profound and compelling.” —Annabel Lyon, author of The Golden Mean and The Sweet Girl“Wayne Grady’s masterful novel is a compelling story about secrets and shame, denial and self-discovery, racism, and love that goes deeper than skin deep. Grady shows how the ties of family bind and also set us free. This novel is unforgettable.” —Lisa Moore, author of Alligator “Wayne Grady has created characters out of life, out of love, out of recognition and sympathy. They are not to be missed."—Linda Spalding, author of The PurchaseAbout the AuthorWAYNE GRADY is the author of fourteen highly-acclaimed books, including Breakfast at the Exit Cafe, Bringing Back the Dodo, and The Bone Museum. He is also the translator of fifteen novels from the French, and the editor of eleven anthologies of literary fiction and nonfiction. His writing has appeared in literary magazines, as well as in major newsstand magazines, including Saturday Night, Toronto Life, Canadian Geographic, Smithsonian and Explore. He won the Governor General's Award for Translation in 1989 for Antonine Maillet's On the Eighth Day, and was nominated for the same award in 1995 and again in 2005. Grady teaches creative nonfiction as a sessional lecturer at the University of British Columbia, and lives near Kingston, with his wife, novelist and creative nonfiction writer Merilyn Simonds.

**Winner of the 2014 National Book Critics Circle Award for General Nonfiction Shortlisted for the 2014 Cundill Prize in Historical Literature** From the revered historian, the long-awaited conclusion of the magisterial history of slavery and emancipation in Western culture that has been nearly fifty years in the making. David Brion Davis is one of the foremost historians of the twentieth century, winner of the Pulitzer Prize, the National Book Award, the Bancroft Prize, and nearly every award given by the historical profession. Now, with The Problem of Slavery in the Age of Emancipation, Davis brings his staggeringly ambitious, prizewinning trilogy on slavery in Western culture to a close. Once again, Davis offers original and penetrating insights into what slavery and emancipation meant to Americans. He explores how the Haitian Revolution respectively terrified and inspired white and black Americans, hovering over the antislavery debates like a bloodstained ghost, and he offers a surprising analysis of the complex and misunderstood significance of colonization—the project to move freed slaves back to Africa—to members of both races and all political persuasions. He vividly portrays the dehumanizing impact of slavery, as well as the generally unrecognized importance of freed slaves to abolition. Most of all, Davis presents the age of emancipation as a model for reform and as probably the greatest landmark of willed moral progress in human history. This is a monumental and harrowing undertaking following the century of struggle, rebellion, and warfare that led to the eradication of slavery in the new world.  An in-depth investigation, a rigorous colloquy of ideas, ranging from Frederick Douglass to Barack Obama, from British industrial “wage slavery” to the Chicago World’s Fair, The Problem of Slavery in the Age of Emancipation is a brilliant conclusion to one of the great works of American history. Above all, Davis captures how America wrestled with demons of its own making, and moved forward.**

Veronica led a wasted life and was not sad to end her life, as she was suffering from terminal cancer.She was shocked to open her eyes in her 18 year old body in 1958, all memories intact. Given a precious second chance, can she fix everything that went awry in her first life?

Muslims who explore sources of morality other than Islam are threatened with death, and Muslim women who escape the virgins' cage are branded whores. So asserts Ayaan Hirsi Ali's profound meditation on Islam and the role of women, the rights of the individual, the roots of fanaticism, and Western policies toward Islamic countries and immigrant communities. Hard-hitting, outspoken, and controversial, The Caged Virgin is a call to arms for the emancipation of women from a brutal religious and cultural oppression and from an outdated cult of virginity. It is a defiant call for clear thinking and for an Islamic Enlightenment. But it is also the courageous story of how Hirsi Ali herself fought back against everyone who tried to force her to submit to a traditional Muslim woman's life and how she became a voice of reform. Born in Somalia and raised Muslim, but outraged by her religion's hostility toward women, Hirsi Ali escaped an arranged marriage to a distant relative and fled to the Netherlands. There, she learned Dutch, worked as an interpreter in abortion clinics and shelters for battered women, earned a college degree, and started a career in politics as a Dutch parliamentarian. In November 2004, the violent murder on an Amsterdam street of Dutch filmmaker Theo van Gogh, with whom Hirsi Ali had written a film about women and Islam called Submission, changed her life. Threatened by the same group that slew van Gogh, Hirsi Ali now has round-the-clock protection, but has not allowed these circumstances to compromise her fierce criticism of the treatment of Muslim women, of Islamic governments' attempts to silence any questioning of their traditions, and of Western governments' blind tolerance of practices such as genital mutilation and forced marriages of female minors occurring in their countries. Hirsi Ali relates her experiences as a Muslim woman so that oppressed Muslim women can take heart and seek their own liberation. Drawing on her love of reason and the Enlightenment philosophers on whose principles democracy was founded, she presents her firsthand knowledge of the Islamic worldview and advises Westerners how best to address the great divide that currently exists between the West and Islamic nations and between Muslim immigrants and their adopted countries. An international bestseller -- with updated information for American readers and two new essays added for this edition -- The Caged Virgin is a compelling, courageous, eye-opening work.

Marc Struthers is a career nurse in the US Navy, and he hates the Don't Ask, Don't Tell policy. He lives with Adam, who's also in the Navy, and they share a room and bed. Although they often make love, Adam claims he isn't gay.One night while on shift, an attractive female doctor tries to seduce Marc. When he rejects her advances, she reports him as being gay.Despite Marc's commitment to the Navy and his job, his military career is in jeopardy. The admiral who must hear Marc's case is from an older generation. Can Marc wait for DADT to go away as so many promise, or will he be discharged?