Touching and wonderfully funny, In Custody is woven around the yearnings and calamities of a small-town scholar in the north of India. An impoverished college lecturer, Deven, sees a way to escape from the meanness of his daily life when he is asked to interview India's greatest Urdu poet, Nur -- a project that can only end in disaster.

The Complete Stories gathers together Anita Desai's short story collections Diamond Dust and Games at Twilight and the novellas of The Artist of Disappearance, with a new preface from the author. From the icy suburbs of Canada to the overcrowded B&Bs of Cornwall, via the hill towns and cities of India, Anita Desai observes human behaviour unflinchingly but not unkindly, recognising our ordinariness and our strangeness, and capturing both with quiet precision.

Nanda Kaul is old. She has chosen to spend her last years high up in the mountains where she can arrange her thoughts into tranquility. But her solitude is broken when her fragile and secretive great-grand-daughter, Raka, comes to stay. It is an intrusion Nanda Kaul deeply resents, but this child has a capacity to change things. Through the long hot summer months hidden dependencies and old wounds are uncovered, until tragedy seems as inevitable as a forest fire on the hillsides surrounding the villa.

Upon the recent publication of Fasting, Feasting, critics raved about Anita Desai: "Desai is more than smart; she's an undeniable genius" (Washington Post Book World). The Wall Street Journal called Fasting, Feasting "poignant, penetrating . . . a splendid novel, " while the Boston Globe celebrated Desai's "beautiful literary universe." Now, in this richly diverse collection, Desai trains her luminous spotlight on private universes, stretching from India to New England, from Cornwall to Mexico. Skillfully navigating the fault lines between social obligation and personal loyalties, the men and women in these nine tales set out on journeys that suddenly go beyond the pale -- or surprisingly lead them back to where they started from. In the mischievous title story, a beloved dog brings nothing but disaster to his obsessed master; in other tales, old friendships and family ties stir up buried feelings, demanding either renewed commitment or escape. And in the final exquisite story, a young woman discovers a new kind of freedom in Delhi's rooftop community.With her trademark "perceptiveness, delicacy of language, and sharp wit" (Salman Rushdie) in full evidence here, Anita Desai once again gloriously confirms that she is "India's finest writer in English" (Independent).

A story of survival set in a small fishing villlage near Bombay. Lila and Hari, aged 13 and 12, struggle to keep the family, including two young sisters, going when their mother is ill and their father usually the worse for drink. When Hari goes to Bombay to find work, Lila seems to be responsible for everything. Although the book paints a picture of extreme poverty, it demonstrates the strength of the family even in the most extreme circumstances and offers a powerful picture of another culture.

Distraught by her own lack of accomplishment -- especially in comparison to that of a childhood rival who has become a famous and successful publisher -- a middle-aged woman has the opportunity of a lifetime: to translate the work of an unknown literary star and, in the process, impress the woman she most admires.

In her long, distinguished career, Anita Desai has focused her capacious vision on questions of culture and identity. Her mesmerizing new novel, The Zigzag Way, brings her fiction to an unexpected region of the world: mythical, lush Mexico. In this seductive landscape, a young American stumbles upon an unlikely path to self-discovery. Eric is a newly minted historian just out of graduate school, unsure of his past choices and future options. With no clear direction, he follows his lover, Em, when she travels to the Yucatan for her scientific research, but he ends up alone in this foreign place. And so he pursues his own private quest, tracing his family's history to a Mexican ghost town, where, a hundred years earlier, young Cornish miners toiled to the death. With vivid sympathy, Desai conjures the struggles of Eric's grandparents and their community. Now, in place of the Cornish workers, the native Huichol Indians suffer the cruelty of the mines. When he...

Disappointed by his professional and social position, an entitled and officious junior civil servant imagines that his life will change when a mysterious old man promises to lead him to a museum filled with priceless treasures.

Set in India's Old Delhi, CLEAR LIGHT OF DAY is Anita Desai's tender, warm, and compassionate novel about family scars, the ability to forgive and forget, and the trials and tribulations of familial love. At the novel's heart are the moving relationships between the members of the Das family, who have grown apart from each other. Bimla is a dissatisfied but ambitious teacher at a women's college who lives in her childhood home, where she cares for her mentally challenged brother, Baba. Tara is her younger, unambitious, estranged sister, married and with children of her own. Raja is their popular, brilliant, and successful brother. When Tara returns for a visit with Bimla and Baba, old memories and tensions resurface and blend into a domestic drama that is intensely beautiful and leads to profound self-understanding.

Like so many other young Westerners in the 60s and 70s, Matteo leaves home to search for spiritual enlightenment in the ashrams of India. He believes he finds it at the feet of 'the Mother', but down-to-earth Sophie, who accompanies him, does not find her inspiring so much as mysterious, and decides to trace the Mother's own story - from her travels with an Indian dance troupe in Paris, Venice and New York, to her search for divine love in India.

Review"[Q]uiet, meticulous, unflinching meditations on the trajectories of three contemporary lives, and on the Indian cultures and landscapes that helped shape them." --San Francisco Chronicle "[A] collection of three superb novellas…. deceptively subtle, slightly surreal and profoundly insightful fiction of a world-class writer...These evocative stories about art and culture are sewn deeply into the fraying fabric of modern-day India. The only thing little about this book is its size." --The Washington Post "...eloquent and understated...[Desai's prose is] distinguished by its sober, often bracing prose, its patient eye for all-telling detail and its humane but penetrating intelligence..." --The New York Times Book Review "'[Desai] proves you can go home again...stirring..." --Marie Claire "In three ensnaring novellas of consummate artistry and profoundly disquieting perceptions, master storyteller Desai reflects on the transforming power and devastating limitations of art... Desai’s provocative and mysterious tales of displacement trace the reverberations when the dream of art collides with crushing reality." --Booklist, starred "...poignant and wry...a deft exploration of the limits people place on themselves by trying to cling to the past." --Kirkus Reviews "This collection leaves an indelible impression of the conflicts and ambitions found in a region riddled with conflict." --Publishers WeeklyAbout the AuthorANITA DESAI is the author of Fasting, Feasting, Baumgartner’s Bombay, Clear Light of Day, and Diamond Dust, among other works. Three of her books have been shortlisted for the Booker Prize. Desai was born and educated in India and now lives in the New York City area.

Anita Desai's new book, hailed as "unsparing, yet tender and funny,"brilliantly confirms her place among today's foremost Indian writers. FASTING, FEASTING takes on Desai's greatest theme: the intricate, delicate web of family conflict. It tells the moving story of Uma, the plain older daughter of an Indian family, tied to the household of her childhood and tending to her parents' every extravagant demand, and of her younger brother, Arun, across the world in Massachusetts, bewildered by his new life in college and the suburbs, where he lives with the Patton family. Published in Britain to rave reviews, FASTING, FEASTING is "rich in the sensuous atmosphere, elegiac pathos, and bleak comedy at which the author excels" (The Spectator). From the overpowering warmth of Indian culture to the cool center of the American family, it captures the physical — and emotional — fasting and feasting that define two distinct cultures.(Times Literary Supplement)