LIN CARTER WRITES:“Of all the worlds of fantasy literature,I seem most deeply fascinated by the lost lands of legend—by t hose far and mysterious realms and continents presumed by dreamers to have flourished in remote, prehistoric ages.“I think it is the unsolved mystery of these ’evening isles fantastical’ that teases my curiosity and captivates my imagination. Did the oceans drink down the shining cities of Atlantis?Did mighty Mu founder beneath the waves before history began? Was there ever a lost polar paradise of Hyperborea? Did the Seven Isles of Antiilia ever exist…?“Since we cannot look to science or history or archeology for the age-lost annals of Atlantis or Ultima Thule or Lemuria, we must turn to fantasy fiction to satisfy our thirst for their marvels…

Set in South Africa, beginning 15,000 years ago and ending with the Boer War, this is a novel about people caught up in the march of world history. It is a story of adventure and heroism, love and loyalty, and cruelty and betrayal.

Set in a village in which the women get caught up in occult rituals and wholesale slaughter perpetuated in the name of the Amazon women, the goddess of the cult being incarnated in the form of the town's female mayor. The evil only happens at night - and only happens to men.

No one could understand why Colin and Roy were best friends. Colin was so shy; Roy was so popular. Colin was nervous around girls; Roy was a ladies’ man. Colin was fascinated by Roy — and Roy was fascinated with death. Then one day Roy asked his timid friend, “You ever killed anything?” And from that moment on, the two were bound together in a game too terrifying to imagine… and too irresistible to stop. Includes an afterword by the author.

Doctor Fischer despises the human race. When the notorious toothpaste millionaire decides to hold his own deadly version of the Book of Revelations, Greene opens up a powerful vision of the limitless greed of the rich; black comedy and painful satire combine in a totally compelling novel. (Source: back cover)

Urbane stories – almost all set in Mexico City. The weakest tales here simply exploit a single metaphor: in «Chac-Mool», a collector buys a pre-Columbian statue of a god, and the god turns into flesh; in «In a Flemish Garden», a Europeanized house is haunted by the Empress Carlotta. But the strongest of them take on Mexico City's schizoid energy in total. An old bachelor, mother-stifled, lives alone in a crumbling house and keeps to the genteel practices of 30 years before (wakes late, eats in one restaurant, wears spats and a bowler): he's eventually murdered by the street hustlers who are his cultural opposites. «The Two Elenas» portrays a young woman so desperate to be hip and ‘with-it’, decultured, that she becomes a mirror image of herself, her own bouncing infinity. And the final story, «The Son of Andres Aparacio», is perhaps the best: a rolling, careening, ashy tale of a young man without prospect who becomes involved with a neo-Fascist brigade of terrorists: here Fuentes is able to run without a leash what he knows best – disappointment. In general, however, stories are a less hospitable form for this writer than are novels, and the single ideas here mostly seem merely tantalizing, not a full measure.

Edited by - URSULA K. LE GUIN and VIRGINIA KIDD         Two of speculative fiction’s most respected anthologists present an original collection ofentertaining and provocative stories by thirteen of the field’s most gifted talents.Contains:The Ballad of Bowsprit Bear’s SteadOmensTouch the EarthThe Other MagusPeek-A-BoomSuzanne DelageThe FingerBarranca, King of the Tree StreetsThomas in YahvestanThe Vengeance of Hera -FallingFather Returns from the MountainThe Oracle

Glorious new rejacket of a Diana Wynne Jones favourite, featuring Chrestomanci – now a book with extra bits! The Dukedom of Caprona is a place where music is enchantment and spells are as slippery as spaghetti. The magical business is run by two families - the Montanas and the Petrocchis - and they are deadly rivals. So when all the spells start going wrong, they naturally blame each other. Chrestomanci suspects an evil enchanter; others say it is a White Devil. Or maybe a different kind of magic is needed to save Caprona…

Clement Mansell, knows how easy it is to get away with murder. The crazed killer is back on the Detroit streets -- thanks to some nifty courtroom moves by his crafty looker of a lawyer -- and he's feeling invincible enough to execute a crooked Motown judge. Homicide Detective Raymond Cruz thinks the Oklahoma Wildman crossed the line long before this latest outrage, and he's determined to see that the psycho does not slip through the legal system's loopholes a second time. But that means a good cop is going to have to play somewhat fast and loose with the rules -- in order to maneuver Mansell into a wild Midwest showdown that he won't be walking away from.

Seventeen-year-old Mike visits his grandmother’s bedside and learns a family secret.  A divorced father discovers that only love, not bribes, can keep his daughter “his” on Thursdays. A young white boy finds that friendship—and betrayal—can cross racial boundaries. Robert Cormier is one of America’s most acclaimed writers for young adults. Here are nine touching and intensely personal stories, that confirm that these accolades are deserved. Each story features a brief introduction that explains how the story came to be, or something about the writing. Perhaps not as dark as some of Cormier’s novels, these tales still have his classically haunting themes, which will be savored by readers of all ages.